Fence 50 @ ACCR: Democracy in Action [Get Visual]
Review by David Brickman
It’s been 50 years, and the Fence Show is still going strong at The Arts Center of the Capital Region in Troy. I can remember in the early ’80s hanging the works on the spikes of the wrought-iron fence that gave the show its name, and it retains the wide-open feeling it had then of being a show for the people.
This year’s edition attracted 382 entries from a total of 237 artists, 40 of which were submitted by 33 K-12 students, and as is the tradition, all are on display in a jam-packed salon presentation (as seen in the photo above) through June 27. Such clutter would require a stepladder – and a lot of time – to properly peruse, but that’s what juror Julie Lohnes (curator of Union College’s collections and Mandeville Gallery) must have done in order to choose works for the Fence Select edition of the show and designate the prizes.
Such a democratic enterprise has its pluses and its minuses. The only requirement for inclusion is membership in the ACCR; it appears submissions were limited to two per artist, and I’m guessing there was a size limit – but otherwise, if you brought it, it got in. The result: Everybody gets to participate (yay!) but a fair amount of truly awful work is thereby presented, and even the best work pretty much gets overwhelmed by the swirling mass of media in the show.