Berkshire Fringe: The Wardrobe Ensemble Offers a Whirlwind “Riot” and a Doleful “33” [Berkshire on Stage]
Theater review by Gail M. Burns and Larry Murray
Larry Murray: After seeing two performances by the Bristol, UK theatre company the Wardrobe Ensemble at the Berkshire Fringe Festival, all I can say is that I wish they would move to Pittsfield and set up shop here. They are the most entertaining, energetic and disciplined theatre company I have seen in some time. They use makeshift materials in an improvised theatre inside a repurposed church to bring their bold ideas and innovative physical theatre to life. Brilliantly.
Gail M. Burns: I had seen and reviewed Riot before, when it came to the Fringe in 2012, and I think it is still my favorite, even though I thoroughly enjoyed 33. As you mentioned, both plays are based on real-life events. On February 10, 2005, there was a riot at the midnight opening of a new Ikea store in Edmondton, a northern section of London. Thousands of people turned up, nine ambulances were called and six people were kept overnight in hospitals. Much of the dialogue for Riot comes directly from media reports of that event.
Larry: I knew that Riot would be the one that struck a familiar chord with me since my kitchen is from Ikea. I have almost panicked in those Jean-Paul Sartre designed maze-like stores where there is no quick way out – you have to pass every item in the endless aisles before an exit finally appears. The help won’t give you any help either. And Riot captures that trapped feeling in a visceral way, though it is much less intimidating to be an onlooker than a participant. Throughout the course of Riot we see endless running, shoving and even some flying through the air as the troupe reenacted an actual event.
Gail: The physicality of Riot is breathtaking. This company works fearlessly together, and containing all that energy in a very small playing space makes the violence even more explosive.