Posts Tagged ‘Zankel Music Center’

Skidmore Summer Jazz Institute Announces Concerts

Thursday, May 2nd, 2013

The annual Skidmore Summer Jazz Institute will once again be presenting a series of concerts at the Zankel Music Center on the campus of Skidmore College in Saratoga Springs. And once again, the concert series will feature some world-class musicians.

But there is a change this summer. In the past, the concerts had always been presented free of charge, but this year there will be a nominally admission charge to the four evening concerts. The two matinee performances by the Jazz Institute students will remain admission free.

Here’s the schedule for the 2013 Skidmore Summer Jazz Institute’s concert series:

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LIVE: Brian Blade & the Fellowship Band @ Skidmore’s Zankel Music Center, 3/22/13

Tuesday, March 26th, 2013
Brian Blade (photo by J Hunter)

Brian Blade

Review and photographs by J Hunter

It was one of those days where I couldn’t help channeling Marvin the Paranoid Android from Douglas Adams’ timeless classic “Hitchhiker’s Guide to the Galaxy”: “Life… Don’t talk to me about life!” My general outlook was in the basement, and my opinion of the human race was heading straight for the Earth’s core. I needed more than a pep talk; I needed a spiritual airlift. Enter Brian Blade & the Fellowship Band… thank Whoever!

I first encountered Brian Blade at a Joshua Redman concert I emceed the night before my birthday in 1994, and he’s confounded me ever since. His drumming style is unlike anything on the scene today, and the inability to stuff Blade in the standard round hole is one of two reasons why I love him to pieces. The other reason is the dynamic 2008 release Season of Changes, which was Blade’s first recording with the Fellowship Band in eight years. Season packs a remarkable combination of power and redemption, and it doesn’t hurt that it features amazing performances by Jazz2K stalwarts like guitarist Kurt Rosenwinkel and reed wizard Myron Walden. Rosenwinkel didn’t make last Friday’s gig at Zankel, but the night didn’t suffer in the least.

The Fellowship Band doesn’t try to knock you out of the box in the traditional way – i.e. play hard-charging tunes that blind you with their ability to play fast and loud – and that pattern held with the opening tune “Stoner Hill.” There are passages of absolute majesty in Blade’s composition, to be sure, but the overall feeling has the reverence and humility you find in all Fellowship Band pieces. “Stoner” was a tone-setter for what was to follow, with pianist Jon Cowherd’s played simple chords while Walden and multi-instrumentalist Melvin Butler laid down a blissful harmonic that said, “Come on in. It’ll do you good!”

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LIVE: Joe Lovano/Dave Douglas Quintet Sound Prints @ Skidmore College’s Zankel Music Center, 7/3/12

Friday, July 20th, 2012
Dave Douglas and Joe Lovano

Dave Douglas and Joe Lovano

Review by J Hunter
Photographs by Andrzej Pilarczyk

It’s a Marvel Comics kind of question: What if Joe Lovano and Dave Douglas teamed up? I mean, Lovano and Douglas are this jazz era’s equivalent of the Incredible Hulk and Thor, God of Thunder: They can (and will) do whatever the hell they want, and they’ll do it absolutely splendidly – witness the sterling music Lovano’s created with the atypical configuration that is Us Five; or Douglas’ almost-all-horn band Brass Ecstasy, one of the biggest highlights of last year’s rain-soaked Solid Sound Festival. That’s just two examples from a long, long list of choices! Sure, Lovano and Douglas shared space on the SFJAZZ Collective front line a few years ago, but they were working on someone else’s ideas. But what if they came up with their own concept… like a set of original compositions inspired by jazz icon Wayne Shorter, for instance?

Yes, the argument can be made that this is just an outgrowth of SFJAZZ’s mandate, which not only calls for tribute to the music of a new legend every year, but also commissions the Collective’s rolling cast to create new music inspired by that legend. But as much as I am the biggest SFJAZZ fan in Greater Nippertown, I always get the sense that most of each year’s work involves finding something significant for everyone in the band to do. (“Collective,” right?) Contrariwise, the quintet Lovano & Douglas brought out to a packed-tight Zankel Music Center had a very specific hierarchy, with the jovial reed wizard and the intense trumpeter firmly in the lead and their supporting players knowing their occasionally-expansive supporting roles. That consistency wasn’t just traditional; it was also necessary, because the music they were about to pimp-slap us with was intricate enough without the musicians having to ask themselves, “Who am I now? Who am I on the next tune?”

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LIVE: The Terence Blanchard Quintet @ Skidmore College’s Zankel Music Center, 6/26/12

Tuesday, July 3rd, 2012
Terence Blanchard

Terence Blanchard

Review by J Hunter
Photographs by Andrzej Pilarczyk

The Skidmore Jazz Institute’s first guest artist of 2012 acknowledged the Institute students packing the front row at Zankel Music Center with a gesture that meant one of two things: “I see you” or “Watch this!” Now, anyone who’s ever watched “Top Gear” knows that the latter statement usually precedes a truly hideous accident. But this was trumpeter Terence Blanchard, whose previous feats of musical magic had pulled in a Standing Room Only Crowd, and the former artist-in-residence proceeded to leave us all slack-jawed one more time.

It wasn’t Blanchard who got the ball rolling, though: It was Brice Winston who launched the new piece “Time to Spare” with a frenetic figure buoyed by drummer Kendrick Scott’s brilliant work underneath Winston’s razor-edged tenor. The rest of the band fell in behind to establish the melody, but no sooner had they done that than Blanchard stepped to the back of the stage while Winston launched his first solo. It was a move typical of Blanchard, who’s always given his people plenty of room to move. Mind you, that freedom comes with the understanding that whoever takes the spotlight better carry the load and then some, because when Blanchard does come out of the blocks, anyone not working at the proper rate of creative speed is going to be steamrolled.

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Real Good for FREE: Skidmore Jazz Institute Concert Series

Thursday, May 17th, 2012

For the past quarter century, the two-week Skidmore Jazz Institute program has provided opportunities for young musicians to study on campus with world-class jazz artists in an intimate setting. The Institute also affords lucky Nippertown jazz fans to see and hear some of the best jazz musicians on the planet perform – for free.

All of the concerts will take place at Skidmore College’s Zankel Music Center in Saratoga Springs.

Here’s the line-up for the 2012 Skidmore Jazz Institute Concert series:

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LIVE: “Opera… From a Sistah’s Point of View” @ Skidmore College’s Zankel Music Center, 4/5/12

Monday, April 30th, 2012
Angela Brown

Review and photographs by Andrzej Pilarczyk

“I’ve travelled all around the world doing this (singing opera) and found out that most White people hate opera just as much as Black people do,” stated soprano Angela Brown, tongue-in-cheek.

Presenting “Opera… from a Sistah’s Point of View,” Brown’s mix of arias and conversation was ever so engaging and sometimes knee-slapping humorous when speaking to the large audience that Thursday night.

However, it was when Brown let loose with her powerfully crystal clear voice that there was no doubt that a great artist was performing in the house. Her dynamic vocal control effortlessly flew between quiet valleys and gargantuan mountains full of grace and beauty.

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LIVE: The Brubeck Brothers Quartet @ Skidmore College’s Zankel Center, 4/13/12

Wednesday, April 25th, 2012
Chris and Dan Brubeck

Chris Brubeck and Dan Brubeck

Review by J Hunter
Photographs by Andrzej Pilarczyk

The little girl in the front row was about my niece’s age, and for most of the Brubeck Brothers Quartet’s two-set performance at Skidmore’s Arthur Zankel Music Center, she’d been having a famously good time – dancing, clapping, spinning, and smiling the biggest smile you ever wanted to see. Then in the second set, just as bassist Chris Brubeck announced the song “Friends Across Time,” the girl burst into tears and loudly announced, “Mommy, I wanna go home!”

Amidst the laughter from the crowd (most of whom were as endeared by the girl’s earlier behavior as I was), pianist Chuck Lamb cracked, “She HATES that song!”

The mother gathered the crying girl up in her arms and started carrying her out of the hall. I looked over at Brubeck, and was surprised to see him caught up in hysterical laughter, holding his bass trombone in his hands. Then he stepped up to the mic and told us, “I think my granddaughter just hit the wall!” Laughter and “Awwwwwwwws” ensued, and the departing girl got what might have been her first round of applause.

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JAZZ 2K: Jazz Appreciation Month (Already in Progress…)

Friday, April 13th, 2012

By J Hunter

Okay, class, let’s review…

March in Greater Nippertown was a monster build-up to the second-greatest thing the Smithsonian Institution ever gave the world (The Air & Space Museum wins the Gold Medal, hands down): Terrific new releases from Brian Patneaude and Keith Pray, plus knockout shows by SFJAZZ Collective, Ravi Coltrane, Wynton Marsalis & the Jazz at Lincoln Center Orchestra, Allan Holdsworth, the Jason Marsalis Vibes Quartet, the Joe Krown Trio and Ahmad Jamal among many others.

And Jazz Appreciation Month itself has already been pretty tasty, thanks to a powerful solo show by Chick Corea (review forthcoming) and an outstanding drop party for Michael Benedict & Bopitude’s new disc “Five and One.”

But JAM really shifts into high gear in Nippertown this weekend, both on a global and a local level. And since today – Friday, April 13 – is officially National Jazz Day (Hey, the U.S. Council of Mayors says so…), here’s some very good ideas for how to spend this weekend:

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