Sam Rockwell, Nina Arianda (photo: T. Charles Erickson)
Theater review by Gail M. Burns and Larry Murray
Gail M. Burns: Playwright Sam Shepard says that his own experience of being in love inspired the aptly titled Fool for Love, now on the Nikos Stage at the Williamstown Theatre Festival in Williamstown through Saturday (August 2). He wrote: “[Falling in love is] such a dumbfounding experience. In one way, you wouldn’t trade it for the world. In another way, it’s absolute hell.” In the play, May and Eddie (Nina Arianda and Sam Rockwell) are both trapped, dumbfounded, in their own mutual hell of love.
Larry Murray: Their relationship hit the rocks ages ago, yet something still binds them together. This passion is at the core of Shepard’s raw and emotion-drenched drama. Like watching a catastrophic storm destroy the foundations of our lives, we watch the two lovers cling to each other like life rafts even as they try to flee from the tumultuous waters of their own unpredictable relationship.
Gail: And we discover the brutal roots of their affair over the brisk, intermission-less 75 minutes of this production. Eddie and May are more than lovers, they are half-siblings whose mutual father kept two wives and families secret from each other until after his unwitting offspring had fallen in love in high school.
Larry: Fool for Love was written three decades ago, yet like so much of Shepard’s work, it still holds us in its thrall as the pair confront their passion for each other and the inevitable pain that May will feel when Eddie’s wanderlust kicks in again. The script is at times subtle with much to read between the lines, a masterpiece of understatement and allusion. But as with Sam Shepard plays, the words escalate into explosive action, the actors tearing at each other like mortal enemies. Everything happens in May’s seedy motel room while Eddie practices his lasso tricks, swigs beer and cleans his shotgun. When Eddie isn’t looking, she packs her suitcase in order to make a quick getaway. As a story, how do you feel this 1983 play has held up?
Click to read the rest at Berkshire on Stage.