Posts Tagged ‘Williams College’

LIVE: The Lionel Loueke Trio @ Williams College’s Chapin Hall, 4/26/13

Wednesday, May 1st, 2013

Review by J Hunter

If you need a reason to check Nippertown’s event calendar “Today’s Tips” every day, here’s one: No matter how well you think you’ve done your homework, you never know what you might have missed. For instance, I didn’t know guitarist Lionel Loueke was playing a show at Williams College last Friday until the morning of the show, when I happened to check that day’s breakdown of entertainment options. I’d seen Loueke twice as a sideman with Terence Blanchard (the last at The Egg’s Swyer Theatre, less than two weeks after Katrina flattened Blanchard’s hometown), but quite a lot has happened since then. Between Loueke’s own recordings and his appearances with everyone from Herbie Hancock to Gonzalo Rubalcaba, the lanky native of Benin has carved a pretty good career path of his own.

Loueke’s five-tune, 75-minutes-plus set came entirely from his third Blue Note release Heritage, and in venerable Chapin Hall, the music sounded heavenly. Chapin was the first home of the late, lamented Williamstown Jazz Festival, and is also where Williams College’s Artist in Residence & Director of Jazz Activities Andrew Jaffe has been holding court for nearly 25 years. As it turned out, the Williams Jazz Ensemble show that preceded Loueke’s set would be Jaffe’s last: Department Chair Tony Sheppard came onstage at the end of the ensemble’s performance to announce that Andy was stepping down after this semester, although he would still be teaching (and breaking in his successor) for the next few years. Then, in stages, Sheppard asked past students, patrons of Williamstown Jazz, and other friends of the program to stand up and be counted. By the time he was done, nobody was sitting down, and we all gave Jaffe the ovation he so richly deserved.

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Shailja Patel – Kenyan Poet, Artist & Activist performs Bwagamoyo at Williams College March 1-2 [Berkshire on Stage]

Thursday, March 1st, 2012
Shailja Patel (photo by Wambui Mwangi)

Shailja Patel (photo by Wambui Mwangi)

Bwagamoyo (Dump Your Heart) is a riveting text based performance by Shailja Patel that fuses passion, poetry and politics.

Williams College will present the story of her journey, Bwagamoyo – Migritude, the second work in a four part series by this Kenyan poet, playwright, theatre artist, and political activist Shailja Patel. With the title of Migritude, which charts a voyage from colonial Zanzibar to Kenya’s 2008 post-election violence by way of the male body. Bwagamoyo, performed by Shailja Patel and Owiso Odera, is “un-theatre”. History, race, and anatomy, collide in text as dense and vital as the body’s blood supply to its muscles. “Staged reading on steroids meets spoken word on a mission” the promotional materials say.

Shailja’s 90-minute spoken-word theatre show. It uses her trousseau of saris, passed down by her mother, to unfold hidden histories of women’s lives in the bootprint of Empire, from India to East Africa.

Click to read the rest at Berkshire on Stage.

LIVE: A Piano Workshop With Fred Hersch @ Williams College, 2/3/12

Thursday, February 23rd, 2012
Fred Hersch

Fred Hersch

Review and photographs by Andrzej Pilarczyk

Arguably, Fred Hersch is one of the most important and brilliant jazz pianists in the historical linage of the jazz piano. In addition to more than three dozen recordings under his belt, he’s been nominated numerous times for a Grammy – including two at this month’s ceremonies, but alas, Chick Corea stole the show, winning both of those.

It’s unfortunate, because Hersch is every bit the pianist Corea is, but unlike the winner of those Grammys, Hersch sticks to the evolution of the art form and not to the popular style of the day.

Looking around the small but enthusiastic audience for Fred Hersch’s workshop at Williams College just a week before the Grammy Awards, there were students, professors, music fans, professional musicians… and there sitting among the onlookers was Avery Sharpe, the famed acoustic bassist with the McCoy Tyner trio.

Just think about that for a moment. If the “six degrees of separation” rule applies, then, spiritually speaking, John Coltrane was listening in.

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Real Good For Free: Burkina Electric @ Goodrich Hall, Williams College, Williamstown [Berkshire on Stage]

Tuesday, September 27th, 2011
Burkina Electric

Burkina Electric

Sponsored by the Lecture Committee, Class of ’71, Public Affairs Forum, Burkina Electric will appear on Friday, September 30 at 9:00 PM in Goodrich Hall, on the campus near 863 Main Street, Willliamstown, MA. The performance is free and open to the public.

Led by renowned composer/percussionist Lukas Ligeti, Burkina Electric is the first electronic music group from Burkina Faso, in the deep interior of West Africa. Based in Ouagadougou, Burkina Faso’s capital, it is, at the same time, an international band, with members living in New York, U.S.A. and Düsseldorf, Germany, as well as in Ouaga. Burkina Electric’s music combines the traditions and rhythms of Burkina Faso with contemporary electronic dance culture, making it a trailblazer in electronic world music. A diverse and talented group consisting of four musicians and two dancers, they collectively participate in the creative process and represent disparate musical genres and sounds from across the globe.

Rather than recycling well-known rock and funk rhythms, Burkina Electric seeks to enrich the fabric of electronic dance music by using unusual rhythms that are rarely heard and little-known even in much of Africa. This includes ancient rhythms of the Sahel, such as the Mossi peoples’ Ouaraba and Ouenega, but also new grooves of their own creation. The band invites you to discover that these exotic rhythms groove at least as powerfully as disco, house, or drum & bass!

Click to read the rest of this story at Berkshire on Stage.

Participatory Theatre SITSTANDWALKLIEDOWN Returns to Williamstown [Berkshire on Stage]

Wednesday, August 3rd, 2011
SITWALKSTANDLIEDOWN

SITWALKSTANDLIEDOWN

According to its creator, Phil Soltanoff, SITSTANDWALKLIEDOWN……Is about public space. It reacts to public space by painting it with choreographed movement. The movement is created in response to the specific qualities of a particular space and thus SITSTANDWALKLIEDOWN is a movable feast—its concept remains the same but its particulars change based on the space where it’s constructed.

SITSTANDWALKLIEDOWN germinated at the Williamstown Theatre Festival in 2009 with the support of the Doris Duke Creative Exploration Fund. It was subsequently performed on Governors Island in New York City as part of the River-to-River Festival/SITELINES 2010. It returns to Williamstown again this week.

According to Jenny Gersten, artistic director of the Williamstown Theatre Festival, this participatory event will take place on Friday August 5, 2011 at 1:00 p.m. & 4:30 p.m. on Spring Street and the Williams College campus in Williamstown, MA. (The event is free and everyone is invited to take part, or just watch. As you will see in the video below, it could be a delightful aerobic workout if it is anything like the earlier iteration.No further specifics were included in the announcement.)

Click to read the rest of this story at Berkshire on Stage.

Be Here Now: Roomful of Teeth @ Williams College, 2/18/11

Thursday, February 17th, 2011

Roomful of Teeth is a vocal group with serious attitude. The eight voices are all classically trained, but they incorporate and experiment with a wide variety of globe-trotting vocal techniques from yodeling to Tuvan throat singing in their envelope-pushing music.

Performing at Williams College’s Brooks-Rogers Recital Hall at 8pm on Friday, the group’s wide-ranging program will feature rising star Oakland-based musician tUnE-yArDs (Merrill Garbus) in works she has written exclusively for the ensemble. tUnE-yArDs’ self-produced album, “Bird-Brains,” utilizes shareware mixing software and a digital voice recorder. The New York Times has described her free-thinking vocals as “somewhere between Aretha Franklin and Yoko Ono,” which leaves an awful lot of ground to cover. And she recently toured with Dirty Projectors, adding yet another dimension to her work.

Works by composers Caleb Burhans (hailed as a “new music virtuoso” by The New York Times) and William Brittelle (former lead singer of The Blondes) will also be featured, and they will join the ensemble as performers in their own expanded arrangements.

Roomful of Teeth and their guest composer-vocalists perform at Williams College’s Brooks-Rogers Recital Hall in Williamstown at 8pm on Friday. Admission is free.

Be Here Now: Steve Waksman on Iggy Pop @ Williams College, 4/22/10

Wednesday, April 21st, 2010

Steve Waksman – an associate professor of music and American studies at Smith College in Northampton – will give a guest lecture at Williams College in Williamstown on Thursday afternoon.

The topic? “Death Trip: Iggy Pop and Rock Performance.”

Here’s how the lecture was described in a press release:

“During his career with the rock band the Stooges, Iggy Pop was the most confrontational rock performer of the 1970s, a figure who presented a constant challenge to the audiences for whom he played. Channeling the aggression of the Stooges’ proto-punk brand of rock and roll, Iggy at times inflicted violence upon himself, at other times seemed bent on inciting the audience to its own acts of destruction. Doing so, he epitomized the move away from the utopian idealism that surrounded much of 1960s rock music and culture, and marked a shift towards a darker, more ambivalent set of impulses that rose to the surface of rock in the 1970s. Iggy’s ambivalence could be seen in his uneasy embodiment of masculinity, which teetered between power and victimization. It could be seen in a different way in the manner in which he tested the boundary between audience and performer, and posed a decisive challenge to the symbolic armor, the sense of untouchability, constructed around the figure of the rock star in the early 1970s.”

Here’s Iggy performing “Search and Destroy” at the Stooges’ induction into the Rock and Roll Hall of Fame just last month:

Waksman’s lecture will be held at 4:15pm on Thursday at Williams College’s Bernhard Music Center Room 30, Williamstown. Admission is free and open to the public.

Oh, and by the way… Happy birthday to Iggy, who is celebrating his 63rd birthday today!

Be Here Now: Frank Rich Interviews Stephen Sondheim @ Williams College, 1/23/10

Wednesday, January 13th, 2010

Stephen Sondheim

Stephen Sondheim

Frank Rich, New York Times columnist and former chief theatre critic, will conduct an onstage interview with Stephen Sondheim ’50 on Saturday, January 23 at 8 pm on the Chapin Hall Stage at Williams College in Williamstown. The two will discuss Sondheim’s career including his collaborations with Leonard Bernstein, Jerome Robbins, and Tim Burton; the state of the American musical theatre; Sondheim’s own creative process; and his specific work on shows such as West Side Story, Gypsy, Company, Follies, and Sweeney Todd. This unscripted conversation promises to provide a most personal and engaging view of Sondheim and his life in the theatre. This free event is open to the public but tickets are required. You can reserve tickets online (limit 2/person) here.

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