Posts Tagged ‘The Van Dyck’

LIVE: Bria Skonberg @ the Van Dyck, 7/25/14

Friday, August 1st, 2014
Bria Skonberg

Bria Skonberg

Review and photographs by Rudy Lu

Dixieland jazz in the 21st century. Bria Skonberg and her quartet showed us an updated version of this revered form during their performance at the Van Dyck in Schenectady last weekend.

Hailing originally from Chilliwack, British Columbia and now headquartered in Brooklyn, trumpeter-vocalist Skonberg led her quartet through an hour-and-a-half set of standards, covers of late ’60s classics and original tunes.

After opening with Harold Arlen’s “Get Happy,” she followed with “Comes Love,” a tune associated with Billie Holiday, and Skonberg established herself as strongly within the jazz tradition. She followed with Joni Mitchell’s “ Big Yellow Taxi” (with scat-like singing of many of the lyrics) and John Lennon’s homage to his mother, “Julia.” “Six More Weeks” was a sultry original featuring Skonberg on vocals.

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Patti Cathcart, What Was the First Album You Ever Bought?

Wednesday, June 4th, 2014

Patti Cathcart

Patti Cathcart


“‘The One Little Duck with the Feather On His Back,’ but I was probably only about five years old. I didn’t actually go out and buy it myself, but I heard it at my cousin’s house, and I just had to have it.

“It was a red record, and it had little ducks on the label. I used to have a little baby record player, and I’d put the record on and then there was a mirrored-glass kind of merry-go-round thing that I would put on top of it.

“It must have been a 78. I don’t think they had 45s back then, did they?”

Patti Cathcart steps up to the microphone as one-half of the husband-and-wife jazz duo Tuck & Patti at the Van Dyck in Schenectady at 8pm on Thursday (June 5). Tickets are $18 in advance; $22 at the door.

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Tuck Andress, What Was the First Album You Ever Bought?

Tuck Andress, What Was the First Album You Ever Bought?

Monday, June 2nd, 2014
Tuck and Patti

Tuck and Patti

“I’m not sure whether it was the Monkees or ? and the Mysterians. I was just fascinated by this person whose name was ? What did he think of himself? How did he refer to himself? At the time, it was really very interesting to me.”

Tuck Andress straps on his guitar as one-half of the husband-and-wife jazz duo Tuck & Patti at the Van Dyck in Schenectady at 8pm on Thursday (June 5). Tickets are $18 in advance; $22 at the door.

LIVE: Howard Alden All-Star Trio @ the Van Dyck, 3/22/2014 [Albany Jazz]

Monday, April 21st, 2014
Jon Burr and Howard Alden

Jon Burr and Howard Alden (photo: Andrzej Pilarczyk)

Review and photographs by Andrzej Pilarczyk

Those that came for the 7pm full-house show of the Howard Alden All-Star Trio performing at the Van Dyck in Schenectady that Saturday night in March probably had a great time, but those 14 who were there for the 9:30pm show had the show of their life. It was more intimate: it was grand, and it made you feel like these three legends were playing just for you in the middle of your living room.

It doesn’t get any better then that!

Bassist Jon Burr, a ten-year veteran of Stephane Grappelli’s band, held down the bottom end while Howard Alden, one of the finest guitarists playing within the jazz idiom today, was pulling double-duty as both rhythm and lead on his instrument.

But the central focal point of the night was legendary trumpeter Warren Vache.

Click to read the rest at Albany Jazz.
Click to see more of Andrzej Pilarczyk’s photographs at Albany Jazz.

LIVE: The Chronicles @ the Van Dyck, 3/21/14

Monday, March 31st, 2014
Bryan Brundige, Jeff-Nania and Justin Henricks

Bryan Brundige, Jeff-Nania and Justin Henricks

Review by J Hunter
Photographs by Rudy Lu

Okay, let’s review what we “know.” We “know” that the Chronicles are the best party band in Greater Nippertown: Doesn’t matter what the critics say or what the Readers’ Poll says (unless, of course, they agree with what we “know”); it’s just a “fact.” The Chronicles’ last album – the hard-hitting vinyl/digital release Spanning the Gap – was produced by Alan Evans, the engine behind Soulive and its horn-intensive offshoot Lettuce. Put the Chronicles in a club like Red Square or the Hollow Bar + Kitchen and real estate on the dance floor disappears in a heartbeat. The funk is delicious, the horns are killer, and the beat is undeniable. That’s a party band, my friend, and don’t you forget it!

So why were the Chronicles playing the upstairs concert space at the Van Dyck? I mean, you can’t dance in front of the stage unless you’re really, really, really skinny! Besides, even though the McDonalds have booked many different types of bands since taking over the place a few years ago, the Van Dyck will be known as a jazz club now and forever, Bird without end, ay-men! Maybe trombonist/leader Bryan Brundige got cabin fever. Maybe he’s as addicted to the Van Dyck’s pulled pork sliders as I am. The reasons don’t matter, and what we “know” DEFINITELY doesn’t matter. The night was tremendous, and so was the band – THAT’S what matters!

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Warren Vaché, What Was the First Album You Ever Bought?

Friday, March 21st, 2014
Warren Vaché

Warren Vaché

“What was it? It was Miles Davis’ ‘For Lovers Only’ with the Red Garland Trio. And I bought it primarily because my old man told me that Miles Davis was no good.

So I went out and said, ‘Yes, he is. Listen to this.’ And the argument continues to this day.”

The Howard Alden Jazz All-Star Trio – featuring guitar phenom Howard Alden, trumpeter Warren Vaché | and bassist Jon Burr – slips into the Van Dyck in Schenectady on Saturday (March 22) for shows at 7 & 9:30pm. Tickets are $20 in advance; $24 at the door.

Five Firsts: Julien Labro of the Hot Club of Detroit

Thursday, November 7th, 2013
Julien Labro

Julien Labro

NAME: Julien Labro
BAND AFFILIATION: Hot Club of Detroit
INSTRUMENT: Accordion

1. THE FIRST ALBUM I EVER BOUGHT WASSpeak Like a Child (Herbie Hancock)

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LIVE: Rory Block @ the Van Dyck, 10/4/13

Thursday, October 17th, 2013

Review by Bokonon

Rory Block wasn’t born with the blues, but she was raised with it. An unbelievable pantheon of greats strolled through the door of her father’s Greenwich Village sandal shop, and the young Aurora sat down at their feet, to learn, as cliché would have it, from the masters.

Did she meet Robert Johnson? No. But she did shake hands with Son House, Mississippi John Hurt, Rev. Gary Davis, Mississippi Fred McDowell and the wraith-like Skip James.

At the Van Dyck, Block turned that protean knowledge into a hellfire of blues. Maybe the real heart of Block’s sound is the way her socket wrench slide clicks against the frets. She’s not taking it easy.

The drone of an open tuning is an ancient moan that crosses many cultures. In Block’s world, it summons the Delta. Not the crossroads, butthe real sharecropper sound of bright, intelligent people forced to work with their backs. She may not fit the visual — still beautiful at 63, her long flowing hair touched with grey — but she channels the sound.

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