Theater review by Gail M. Burns & Larry Murray
Larry Murray: In the world of theatre we don’t get to see many plays like Better Late, which is about older people and their relationships. So three cheers for the Theater Barn taking on this Larry Gelbart play. It’s a sort of a “dramedy,” isn’t it?
Gail M. Burns: It is a remarkably solemn little play for the Theater Barn, which generally offers up light comedy, murder mystery, and bijou musicals.
Larry: What I was amazed at was the opening night audience in what is now the shoulder season for tourism, with the summer folks gone and the leaf peepers still weeks away. At the Theater Barn, it is strictly a local audience, and they turned out for the opening in respectable numbers, and while I saw some grey hair, I was surprised at the amount of blonde, brunette and every shade in between that dotted the audience in front of me. It seems that Gelbart’s story has a universal appeal. I suppose that is because we all have aging members in our family.
Gail: None of us are getting any younger, that’s for sure. But I think most of the audience thought they were attending a very different kind of play from what was presented. The Theater Barn has tackled profound subjects before – their top-notch production of Stones in His Pockets, which filled this fall slot a few seasons back, springs to mind – but they have been more satisfying dramatic journeys.