Theater review by Gail M. Burns
In these days when wages are stagnant, money is tight and the rabid consumerism of the late 20th century has lost all its luster, we are being encouraged to spend what disposable income we have on experiences, rather than objects. At the Ghent Playhouse, a $20 investment buys you one of the best holiday experiences available – a ticket to the Panto! And this year’s offering – Ali Baba and the Four Tea Thieves – is a gift that will keep on giving as you fondly recall the groaningly bad, er, good jokes, the hilarious costumes, and the wonderful songs.
What is a Panto? Well, it is a British theatrical tradition for the holiday season. Basically you take a familiar fairy tale or folk tale, have all the men play the women and the women play the men, add lots of new and (hopefully) witty lyrics to well-known tunes, and ignore the plot completely. There is lots of audience interaction – you get to boo the villians and sing along a bit and shout “He’s right behind you!” and such – and there’s a healthy mixture of topical humor on current events along with good old fashioned schtick. Only the most conservative and humorless of folks can fail to be amused by the goings-on.