Review by Larry Murray and Gail M. Burns
Larry Murray: With book and lyrics by Steven Sater and music by Duncan Sheik, the 2006 Tony Award-winning alternative rock musical “Spring Awakening” is now playing at Sage College’s audience-friendly Meader Little Theatre in Troy. Last performance is Sunday (April 26). I am putting all this information up front because this review is more of a “must see” reader advisory: this production with its youthful cast is directed by Leigh Strimbeck and utilizes a functional and ingenious set by Juliana Haubrich.
Gail M. Burns: The Theatre Institute at Sage is a great company that is doing some really great theatre. TIS is only five years old, but it is carrying on the tradition established on its campus by the now defunct New York State Theatre Institute, which utilized Sage facilities, faculty and students to provide quality theatre for schools and the general public from 1974-2010. The connection with Sage was NYSTI’s greatest asset, and in turn the company helped the Sage Colleges develop a robust theatre curriculum. It is not at all surprising to see what talented students select Sage today.
Larry: We haven’t had a chance to see this cutting edge musical much in these parts, the only production I can remember is the one at the University at Albany Department of Theatre which was last year. None of our Equity companies, nor even the Mac-Haydn or Theater Barn have staged it. That may because the music is so important to the whole production, and it requires violin, cello and bass in addition to piano, drums and guitar. Two or three synthesizers will never do the score justice. I was as impressed with the accomplished musicians and Music Director Marcus Schlegel, as with the actors. The cellist, Erin Rousseau, on whom much of the melody line rests, has a vibrato and intonation that infused the songs with real heart.
Gail: I saw a production of the 1890/91 Franz Wedekind play of the same name, upon which this musical is based, at Williams College many years ago. “Spring Awakening” is an ideal college show because you need to have a young cast and a fairly sophisticated audience. Really, the best way to “get away with” staging this fierce and graphic material is to bill it as education. The play has a prominent role in the development of 20th century theater, and, as you mentioned, this musical version has made history, too.