The Eddie Palmieri Orchestra (photo by Rudy Lu)
Review by J Hunter
Photographs by Rudy Lu
Additional photographs by Richard Brody, Cheri Bordelon, Andrzej Pilarczyk, J Hunter
“We’d like to close our set…” altoist/alt-jazz music mogul Tim Berne began his intro to “Static,” earning a hearty laugh from the Gazebo Stage crowd. True, Berne and his whip-smart quartet Snakeoil – Dave Douglas Quintet pianist Matt Mitchell, reedman Oscar Noriega and (making his second appearance at the Gazebo that weekend) percussionist Ches Smith – had just turned our heads around several times with 15 minutes of free-form madness to kick off Freihofer’s Saratoga Jazz Festival’s Sunday bill at SPAC, but there was no way these guys were going to play one tune for 45 minutes… right?
Well… sort-of right: “Static” turned out to be a careening multi-chapter suite that had the ensemble alternating off-its-head rubato with wildly complex melodies and figures – some pounding, some silky soft – that only seemed to lift the soloists to dizzier and dizzier heights. Noriega’s bass clarinet repeatedly traveled the distance between sub-sonic and shrieking, sometimes taking over the foundation so Mitchell could have room to express himself. If Smith played a straight beat, then I missed it, because when the deranged-looking stick figure wasn’t soloing, he was on the fill whether he was on drums or vibes. (Surprisingly, Smith’s vibes work was extremely tender in places.) Jaimeo Brown’s Transcendence may have spun the Gazebo like a roulette wheel to close the Saturday bill, but Berne’s off-world excursions made Brown’s explorations seem simple in comparison.