Posts Tagged ‘Schenectady’

LIVE: Tom Rush @ the Eighth Step at Proctors, 5/15/15

Thursday, May 28th, 2015
Tom Rush

Tom Rush

Review by Don Wilcock
Photographs by Mary Kozlowski

Tom Rush calls himself simply “a generalist,” a self-deprecating understatement that proved way insufficient in defining his sumptuous nearly three-hour, two-set concert at the Eighth Step at Proctors recently. His tour-de-force performance featured his own signature song “No Regrets” from early in his career as Boston’s best voice of the ’60s folk boom and his career-defining The Circle Game, which introduced Joni Mitchell’s songwriting to the world.

Criss-crossing genres, he re-invigorated Dobie Gray’s pop ode to the palliative properties of music on “Drift Away,” and encored with an energetic acoustic version of “Who Do You Love” that somehow managed to inject as much potency into that Bo Diddley rockin’ blues classic as Diddley himself did in the ’50s with his plugged-in rectangular guitar. Rush joked about songwriter Lee Clayton telling him he’d written the outlaw country number “Ladies Love Outlaws” especially for Tom and then postulated that Lee probably said the same thing to Waylon Jennings, who had a hit with it.



Schenectady Light Opera Celebrates Five Years in Its New Home with Gala Celebration [Berkshire on Stage]

Thursday, May 28th, 2015
Volunteers work on the set of the play “The Drowsy Chaperone” at SLOC. (photo courtesy of Lori Van Buren / Times Union)

Volunteers work on the set of the play “The Drowsy Chaperone” at SLOC. (photo courtesy of Lori Van Buren / Times Union)

In April 2010, the Schenectady Light Opera Company finalized the purchase of the St. John the Baptist church on the road to creating its new home in the heart of downtown Schenectady. In the five years since, the company has transformed the facility into a premier performing arts venue, presenting a wide variety of productions to popular and critical acclaim, and welcomed over 27,000 patrons through its doors.

To celebrate this milestone, this weekend SLOC is presenting a cabaret/revue featuring songs from each of the shows that have been produced in the new Franklin Street Theater. Titled “The First Five Years,” an all-star lineup of Capital Region talent has been assembled to reprise the numbers that they performed on the SLOC stage. The list of shows is impressive and includes Les Miserables, Carousel, RENT, Ragtime, Aida, Fiddler on the Roof, Hairspray, Next to Normal, Dirty Rotten Scoundrels, Sound of Music, Sweet Charity, Guys and Dolls and a dozen others.

Click to read the rest at Berkshire on Stage.

THEATER: “Pippin” @ Proctors, 5/26/15

Wednesday, May 27th, 2015


Review by Greg Haymes

Montreal’s Cirque Eloize won’t be returning to Proctors this summer, so if you need a European circus fix, get thee to Proctors for “Pippin” this week, and enjoy the work of another Montreal-based circus ensemble, Les 7 Doigts de la Main.

Balancing feats, trapeze, juggling, silks, acrobatics, hoops, bouncing balls, knife throwing and a wide assortment of other circus and illusionist skills figure prominently in director Diane Paulus’ sparkling, energetic, Tony Award-winning re-boot of the 1972 Stephen Schwartz/Roger O. Hirson musical.

It’s a dazzling, big-top extravaganza, but it’s got meat on the bones. The plot revolves around the identity crisis of the title character – heir to the throne of King Charlemagne, the Emperor of the Holy Roman Empire – who is “searching for something important and meaningful to do” with his life. Yes, it’s a very ’60s-’70s existential theme, but Paulus and costume designer Dominque Lemieux have dressed it up magnificently for the 21st century.

The national touring company production has gone through a surprising number of cast changes since it was announced by Proctors more than a year ago (and hit the road in September), including the lead characters of Pippin (Sam Lips) and more recently the Leading Player (Lisa Karlin), as well as the role of Pippin’s grandmother Berthe (the 69-year-old Adrienne Barbeau in a single-song performance of “No Time at All,” in which she sang the final lyrics while suspended upside down, dangling from a trapeze above the stage).


LIVE: The Van Dyck Allstars Sax Summit @ the Van Dyck, 5/15/15

Tuesday, May 26th, 2015
Adam Siegel, Keith Pray and Lee Russo

Adam Siegel, Keith Pray and Lee Russo

Review by J Hunter
Photographs by Rudy Lu

During the introduction to his arrangement of Mark Turner’s “Myron’s World”, Adam Siegel shared about how happy was to be playing with people that had inspired him for so many years. I know how Siegel feels: When I first started writing about jazz in Greater Nippertown, the five young “all-stars” at the front of the Van Dyck’s stage – tenormen Brian Patneaude and Lee Russo, altoists Siegel and Keith Pray and baritone saxman Jeff Nania – were either just starting to make inroads on the scene or were nowhere to be seen at all. Being able to witness their respective creative accomplishments over the last 10 years has been like watching your kids grow into adulthood – and these were “the kids” when I started out. Now they’re the heavyweights, and they played like champions on this night.

Patneaude’s charts for “Dear John” were tight as Jeff “Siege” Siegel’s drums as the octet launched the first set with the hard-bopping Freddie Hubbard composition. Russo’s primary ax is alto sax, which might explain why he started so high on his opening solo, but he would find the tenor’s full range as the night went on; Nania was also away from his usual tool, but he played that bari like he’d been weaned on tapes of Gary Smulyan, offering lines with both power and shape; Of course, tenor sax is Patneaude’s home and hearth, and he had the tune right in his sights as he charged through the piece’s final solo. Dave Gleason’s comping piano chords rose and rose while bassist Otto Gardner ignored his lack of amplification and attacked the piece the only way he knows how – flat out.


FIVE FIRSTS: The Van Dyck All-Star Sax Summit

Tuesday, May 12th, 2015
The Sax Summit

The Sax Summit

It’s gonna be one seriously wailin’ night at 8pm Friday (May 15) when the Van Dyck All-Star Sax Summit takes over Schenectady’s venerable Van Dyck. Five of Nippertown’s top saxophonists – Keith Pray, Lee Russo, Brian Patneaude, Jeff Nania and Adam Siegel – will gather together on the same stage to blow the roof off the place, accompanied by pianist Dave Gleason, bassist Otto Gardner and drummer Jeff Siegel. Tickets are $15.

Nippertown’s J Hunter managed to corner four of the five saxmen (Adam Siegel was apparently too elusive) to ask them a few questions about their relationships with jazz, the saxophone and the Van Dyck. Here’s what he found out:


LIVE: Elio Villafranca & Spiros Exaras @ Union College’s Emerson Auditorium, 4/24/15

Thursday, May 7th, 2015
Elio Villafranca and Spiros Exaras

Elio Villafranca and Spiros Exaras

Photographs by Andrzej Pilarczyk

In the final concert of the Ahora, Latin/Jazz! spring concert season, Cuban jazz pianist Elio Villafranca and Greek classical guitarist Spiros Exaras teamed up as a sparkling, cross-cultural duo at Union College’s Emerson Auditorium in Schenectady.


Song o’ the Week: The Stray Birds’ “Best Medicine”

Thursday, April 16th, 2015

Saturday (April 18) is Record Store Day, and we couldn’t think of a better song to help us celebrate than the Stray Birds’ “Best Medicine,” the title track of their latest album on Yep Roc Records.

The Lancaster, Pennsylvania folk/Americana trio of multi-instrumentalists and vocalists – Maya de Vitry, Oliver Craven and Charlie Muench – was inspired to write the song by a visit to The Re-Collector on Jay Street in Schenectady, one of Nippertown’s classic record stores. So when it came time for the trio to make a video for the song, where did they go? That’s right, back to The Re-Collector where they turned the shop’s proprietor, Kurt Hellijas, into a music video star.

“You never know the gold you can find out there / ‘Til you put the needle down and do some digging in the air … if the body is a temple, the soul is a bell/ And that’s why music is the best medicine I sell.”

NOTE: The Stray Birds are headed back to Nippertown for a concert at The Egg’s Hart Theatre in Albany at 7:30pm on Thursday, April 30, when they’ll be sharing the stage with the Wailin’ Jennys. Tickets are currently on sale, priced at $36.25 & $46.25.

LIVE: Nellie McKay @ the Van Dyck, 4/4/15 (Second Show)

Wednesday, April 15th, 2015


Review and photographs by Rudy Lu

It is difficult to pigeonhole the music of Nellie McKay, who entertained – and I truly mean entertained – a close-to-sold-out audience in the second of her two shows at the Van Dyck in Schenectady on Saturday night.

Accompanied by bass player Alexi David and drummer Kenneth Salters, McKay mesmerized the audience with the most eclectic set of music I have yet to hear. Somehow, she weaved standards from the ’30s along with her originals and covers of songs from the ’60s British Invasion that perhaps us baby boomers consider standards. Her spirited delivery made it all make sense.

Her set list featured standards such as:


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