Review by Don Wilcock
Photographs by Mary Kozlowski
Tom Rush calls himself simply “a generalist,” a self-deprecating understatement that proved way insufficient in defining his sumptuous nearly three-hour, two-set concert at the Eighth Step at Proctors recently. His tour-de-force performance featured his own signature song “No Regrets” from early in his career as Boston’s best voice of the ’60s folk boom and his career-defining The Circle Game, which introduced Joni Mitchell’s songwriting to the world.
Criss-crossing genres, he re-invigorated Dobie Gray’s pop ode to the palliative properties of music on “Drift Away,” and encored with an energetic acoustic version of “Who Do You Love” that somehow managed to inject as much potency into that Bo Diddley rockin’ blues classic as Diddley himself did in the ’50s with his plugged-in rectangular guitar. Rush joked about songwriter Lee Clayton telling him he’d written the outlaw country number “Ladies Love Outlaws” especially for Tom and then postulated that Lee probably said the same thing to Waylon Jennings, who had a hit with it.