Posts Tagged ‘Rudy Lu’

LIVE: Peggy & Pete Seeger @ the Eighth Step at Proctors, 5/12/13

Wednesday, May 22nd, 2013
Pete Seeger and Peggy Seeger (photo by Rudy Lu courtesy of The Eighth Step)

Pete Seeger and Peggy Seeger (photo by Rudy Lu courtesy of The Eighth Step)

Review by Greg Haymes
Photograph (from soundcheck) by Rudy Lu

Peggy Seeger said it best with a new song that she had penned for her brother Pete’s 94th birthday. It kicked off the second half of the evening, and she was joined by Bill Vanaver on banjo, Happy Traum on guitar and quartet of Seeger family ‘n’ friends back-up singers as she settled down at the piano and sang, “It’s Pete. It’s Pete. Strummin’ his banjo, stampin’ his feet. That lanky man comes down your street, and what do you know… you’re singing.”

The sold-out audience at Proctors rose to their feet in a hearty standing ovation as soon as Pete Seeger ambled out onto the stage, and they were singing along – loudly and frequently in harmony – by the second line of the Seegers’ opening song – the time-honored “Worried Man Blues.”

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LIVE: Jim Weider’s Project Percolator (featuring Garth Hudson) @ The Egg, 5/18/13

Tuesday, May 21st, 2013
Project Percolator

Project Percolator

Review by J Hunter
Photographs by Rudy Lu

Nowadays, if you brought a set of killer instrumentals to your average record company, the first words out of the A&R troll’s mouth would be, “Where are the vocals?” But back in the day, stalwart souls like Jeff Beck, John McLaughlin and (to an extent) Carlos Santana used their razor-sharp axes to keep the world safe for people who were tired of hearing the same “Boy Meets Girl, etc.” lyrics for the thousandth Goddamn time! Jim Weider is a fellow axe-wielder from about the same generation, and Project Percolator’s incendiary show at The Egg’s Swyer Theatre showed he’s still fighting the good fight.

The opener “Flight” let us know that frills would not be on the menu this evening, as Weider and his regular partners – guitarist Avi Bortnick, bassist Steve Lucas and drummer Rodney Holmes – threw hot & nasty jazz-rock (with the emphasis on “rock”) right at our heads. Back in the day, Weider replaced Robbie Robertson in The Band, and he was certainly up to the task. There’s a delightful layer of fuzz on every lick and riff he plays, and the howling joy that runs through it all is that same motivator that makes you want to drive really fast and laugh for no apparent reason. By the end of that first number, you knew it was going to be a great night… and the guest of honor hadn’t even come onstage yet!

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LIVE: Paul Kogut, Francois Moutin & Ari Hoenig @ Athens Cultural Center, 5/4/13

Thursday, May 9th, 2013
Paul Kogut, Francois Moutin and Ari Hoenig

Paul Kogut, Francois Moutin and Ari Hoenig

Review by J Hunter
Photographs by Rudy Lu

As I move along in life, I occasionally (and, I admit, morbidly) think about what timeless saying I’d like carved on my tombstone. I’ve considered song lyrics, movie lines, poetry and various iterations of Shakespeare. However, the latest entry on my executor’s to-do list was part of the marvelous long-form “gang interview” that is the Q&A section of Planet Arts’ Jazz one2one concert series – in this case, from guitarist/upstate NY native Paul Kogut: “Music is not a thing you perfect… It’s a monster you let out of the box and see where it goes!”

Aside from the over-all outstanding-ness of that statement, it also sums up the outlook of Kogut’s partners for the evening, bassist Francois Moutin and drummer Ari Hoenig. Now, they were at ACC because George Mraz and Lewis Nash – the rhythm section on Kogut’s latest Blujazz release Turn of Phrase – couldn’t make the gig. But don’t even think about shoehorning Moutin and Hoenig into a “substitute” category. These are two of the best musicians on the scene today: Aside from their various solo and sideman gigs, they’re part of the mammoth improvisation machine Pilc Moutin Hoenig (the “Pilc” being pianist Jean-Michel Pilc, who Moutin met while attending university in Paris), whose astounding disc Threedom was one of my Top 10 Jazz Releases of 2011. If anyone could help Kogut get the aforementioned monster roaming around for Jazz one2one’s last show of the season, these were the guys to do it.

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LIVE: Schenectady JAM Concert @ Proctors’ Robb Alley, 4/14/13

Monday, April 29th, 2013
Schenectady Mayor McCarthy and Tim Coakley

Schenectady Mayor Gary McCarthy and Tim Coakley

Review and photographs by Rudy Lu
A JazzApril story

The Annual Schenectady JAM (Jazz Appreciation Month) concert was held this year at Robb Alley at Proctors with the theme of celebrating a hard-woking, multi-talented local jazz hero. This year’s hero is longtime drummer and WAMC-FM jazz radio host Tim Coakley. Schenectady Mayor Gary McCarthy presented a proclamation naming April 15 as Tim Coakley Day honoring him for all of his many contributions to the Local 518 jazz scene.

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LIVE: “Gospel Jubilee” @ Proctors, 4/19/13

Wednesday, April 24th, 2013
The Gospel Jubilee Mass Choir

The Gospel Jubilee Mass Choir

Review by Valerie Medeiros
Photographs by Rudy Lu

The second annual “Gospel Jubilee” at Proctors in Schenectady was a roof-raiser from the start. The Jubilee Mass Choir and the Emmanuel Baptist Church Praise Dancers opened with ”My Faith Looks Up to Thee,” a traditional song delivered powerfully by the 60-odd voices and band. The choir was rewarded with immediate audience participation, including enthusiastic hand clapping along with the choir. Several energetic young members of the EBC Praise Dancers left the stage and took to the aisles, jumping, dancing, clapping and waving colorful banners, bringing the audience to their feet.

Pastor Annetta Dix-Howard delivered an invocation encouraging all to praise The Lord, and the audience responded resoundingly, “Praise The Lord!” Producer Sara Hill asked for a moment of silence for the victims of the Boston Marathon bombing, then gave free rein to emcee Mark Thompson, Pastor of the New Day Christian Empowerment Center in Schenectady, and musical director the Rev. Elgin Joseph Taylor Sr. of the Sweet Pilgrim Missionary Baptist Church in Albany.

Soloist Annette Harris joined the Jubilee Mass Choir for “Psalm 145, He’s Greatly to be Praised,” an uptempo number with the church band – two keyboards, organ, drums and a rockin’ electric bass – which set the tone for an evening where worship and performance were a simultaneous experience for both the performers and audience.

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LIVE: Outer Borough Brass Band @ Proctors, 4/12/13

Wednesday, April 17th, 2013

The Outer Borough Brass Band @ Proctors, 4/12/13 (photo by Rudy Lu)

Review by J Hunter
Photographs by Rudy Lu
A JazzApril story

“Do You Know What it Means to Miss New Orleans?” Louis Armstrong made that song famous in 1947, but the question itself still hangs heavy. Unlike my friends who made Jazzfest an annual thing, I’ve only been to NOLA once, and there are days when I miss it like fire. So what happens when you’re actually FROM the Crescent City, but you’re doing business in the Empire State? You find yourself some like-minded souls, boil up a sumptuous gumbo that mixes NOLA classics with surprising covers and home-cooked originals, and then drop it on unsuspecting Noo Yawkers!

That’s what the Outer Borough Brass Band is about, and they brought big fun with them last Saturday night when they played the second installment of Proctors’ “Party Horns NYC” concert series.

Just like you’d expect, OBBB came out of the blocks fast and hard, with their killer three-man horn blowing up the intro to Smokey Johnson’s “Ain’t My Fault.” Pianist Alison Leyton-Brown, trumpeter Ivan Rosenberg and bass drummer Moses Patrou didn’t sing the words as much as they let them loose. You know how you just want to shout “Thank God THAT’S over” at the end of the week, and it feels so good when you do? That was the clear message on the players’ faces as they barked out the lyrics with smiles all around, and the smiles ran up into the audience as Rosenberg and tenorman Scott Bourgeois took turns blowing us all down. Patrou and snare player Jason Isaac kept the tune a bopping march (with the emphasis on “bopping”), while Leyton-Brown banged out the goodness on her Nord keyboard. It was a major release for all concerned, and we were howling for more when it was all done.

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LIVE: The Myles Mancusco Band @ the Falcon, 4/11/13

Tuesday, April 16th, 2013

The Myles Mancusco Band @ the Falcon, 4/11/13 (photo by Rudy Lu)

Review and photographs by Rudy Lu

“He may be a boy, but he plays like a man.”
- Levon Helm

Sixteen-year-old musical prodigy Myles Mancuso rocked the house at the Falcon in Marlboro during a recent midweek performance. Frequent performers at the Falcon – as well as throughout the mid-Hudson Valley and NYC – the band features a solid line-up of Mancuso performing both on guitar and keyboards, along with keyboardist Jeremy Baum, bassist Brandon Morrison and drummer Chris Reddon.

The band proved to be quite versatile, playing blues, R&B, Cajun, rock covers and originals. The quartet is obviously influenced heavily by the sound of Jimi Hendrix, as well as old-school R&B.

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Be Here Now: Gospel Jubilee @ Proctors, 4/19/13

Tuesday, April 16th, 2013

Gospel Jubilee (photo by Rudy Lu)

Story and photographs by Rudy Lu

Based upon the recent choir rehearsal held at Union College’s Memorial Chapel, the second annual Gospel Jubilee will certainly be a roof-raising evening at Proctors in Schenectady on Friday night. The Jubilee Mass Choir is composed of singers from a variety of local churches, while Union College’s Heavenly Voices Gospel Choir will perform under the direction of the Reverend Elgin J. Taylor Sr. of Sweet Missionary Baptist Church of Albany.

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