Interview and story by J Hunter
Photograph of Rudy Lu by Cheri Bordelon
All other photographs by Rudy Lu
To paraphrase CBS-TV’s version of Sherlock Holmes (not to be confused with BBC’s version, “Sherlock” – which is WAY better), I’ve had success in my avocation not by what I’ve done, but by whom I’ve met. I consider myself phenomenally lucky that the photographers who’ve put flesh on my words not only know their way around a camera, but also know the physical and emotional intangibles that cement the connection we feel with music and musicians. Of the many things Rudy Lu gets, he gets that connection. Rudy and I have been working together since 2008, when he shot one of Terence Blanchard’s numerous performances at Skidmore College, and I’ve lost count of how many times we’ve collaborated since then. And not to get too inside-baseball here, but there’s a feeling amongst Nippertown writers that if Rudy’s shooting your show, whatever you do will definitely look real good!
Now, believe it or not, composing a good photograph (from a physical standpoint, anyway) doesn’t take more than a little thought and an understanding of spatial relationships. Trust me: If I can do it, anybody can do it. But to know when that moment happens, and see an element in that moment – a look, an expression, an intensity – that elevates a picture above a snapshot is something that only comes from long experience and an understanding of what’s happening, both to the performer and an audience. Take a picture of a guitarist playing onstage? QED. Take a picture of a guitarist when he’s playing a note that’s so good that it brings the crowd to its feet (and then taking it without your camera flying out of your hands or getting knocked over by a rabid frat boy)? Not so simple. Rudy Lu does it time and time again, and there hasn’t been a set of photos he’s shot for me where there isn’t at least one shot that makes me mutter, “God damn it, why can’t I do that?”