Posts Tagged ‘Lenox’

First Peek at Summer 2017: Tanglewood Announces Season Schedule [Berkshire on Stage]

Friday, November 18th, 2016

tanglewood

The 2017 Tanglewood season will run from Sunday, June 18 to the Labor Day Weekend, offering Berkshire visitors an exceptional line-up of performances and musical activities. Especially noteworthy is that there will be ten programs led by Boston Symphony Orchestra Music Director Andris Nelsons. There are also several new initiatives designed to give patrons a wide spectrum of musical, entertainment, and educational activities, including some to enjoy before and after selected performances throughout the summer. Weekly highlights of the coming summer follow the text of their announcement.

In his most significant commitment yet to Tanglewood, Mr. Nelsons will lead both the opening and closing BSO concerts, Mahler’s Symphony No. 2, Resurrection, and Beethoven Symphony No. 9; Mahler’s Symphony No. 4 with Kristine Opolais; an opera gala with Ms. Opolais and Dmitri Hvorostovsky performing excerpts from Simon Boccanegra, La Traviata and Eugene Onegin; the world premiere of John Williams’ Markings with violinist Anne-Sophie Mutter; and the first-ever BSO and festival concert performance of the complete Das Rheingold, a tour de force milestone in the history of the festival. Mr. Nelsons will also conduct the Boston Pops Orchestra for the first time, sharing the podium for Film Night with John Williams. Also new to Tanglewood in 2017, highly acclaimed composer/conductor/pianist Thomas Adès will make his first Tanglewood appearances as BSO Artistic Partner, leading orchestral concerts, performing as pianist with the Emerson Quartet, and working closely with the Fellows of the Tanglewood Music Center, the BSO’s acclaimed summer music academy.

Click to read the rest at Berkshire on Stage.

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Finn Wittrock to Star in Shakespeare & Co.’s “Hamlet” Reading [Berkshire on Stage]

Wednesday, September 21st, 2016
Finn Wittrock

Finn Wittrock

Shakespeare & Company in Lenox will present a staged reading of William Shakespeare’s masterpiece, Hamlet, at 7pm on Saturday, October 8. Featuring Finn Wittrock – of American Horror Story and The Big Short – and other special guests, the reading will be presented in the Tina Packer Playhouse, and will be directed by Kevin G. Coleman, Shakespeare & Company’s Director of Education and a 2016 Tony Award nominee.

A star of stage, film and television, Finn Wittrock grew up with the Company. As a child he appeared in many of the Company’s outdoor Shakespeare productions at The Mount, as well as with Jonathan Epstein in Richard III at the Duffin Theatre in 1999.

Most recently, Wittrock was seen in the Oscar nominated film The Big Short, in which he starred opposite Brad Pitt, Ryan Gosling, Christian Bale and Steve Carell. Wittrock has been a part of the critically-acclaimed series American Horror Story for the last two seasons and he was nominated for an Emmy for his season four portrayal of Dandy Mott. This fall, Finn will be seen with Emma Stone and Ryan Gosling in the film La La Land for Lionsgate. Upcoming theatrical productions include Othello with Daniel Craig and David Oyelowo directed by Sam Gold and The Glass Menagerie with Sally Field.

Click to read the rest at Berkshire on Stage.

THEATER REVIEW: “Or,” @ Shakespeare & Co. [Berkshire on Stage]

Wednesday, August 3rd, 2016
Tod Randolph and Allyn Burrows in ‘Or,’ at Shakespeare & Company, 2016. Photo by Ava G. Lindenmaier.

Tod Randolph and Allyn Burrows in ‘Or,’ at Shakespeare & Company. Photo by Ava G. Lindenmaier

Review by Macey Levin

Aphra Behn is considered to be the first professional woman playwright, having been paid for her first play The Forc’d Marriage in 1670. Her plays, novels and poems were criticized for having too many references to sex and gender equality. There is a great deal of conjecture about her life including the possibility that she was never married to a merchant named John Behn. Having had an earlier career as a spy with a dubious reputation makes her a dramatic subject for a fictionalized, hilarious play by Liz Duffy Adams titled simply Or, at Shakespeare & Co.’s Tina Packer Playhouse in Lenox.

After a prologue and an opening scene that places her in debtor’s prison, the bulk of the play occurs in Behn’s apartments during the course of one night. Several people call on her while she is attempting to write her first play. Through talk about sex, arguments, talk about sex, conversations, talk about sex, displays of wit and a lot of back story, we learn of her adventurous life, but more, we learn of her courage and determination in an age when a woman was not allowed to have a place in the world other than in her home.

Her visitors include King Charles II who has been recently restored to the throne of England and for whom she spied on the Dutch during the second Anglo-Dutch War, the actress Nell Gwynne, a fellow spy William Scot who may also have been working for the Dutch, and the eccentric widow Lady Davenant who produced Behn’s first play. There are several threads of relationships and stories that bind these people together. The recounting of the plot though relatively simple could tend to be convoluted since the interaction of the characters is quite involved. In this production the story is easy to follow because the acting is so wonderful.

Click to read the rest at Berkshire on Stage.

REVIEW: The Capitol Steps @ the Cranwell Spa [Berkshire on Stage]

Thursday, July 28th, 2016

Review by Larry Murray and Pearce Rowley

In the real world, our current slash and burn politics are deadly serious with few exceptions. The White House Correspondent’s Dinner is one of those rare occasions when elected officials and the media can laugh at themselves. In the media, Stephen Colbert, Bill Maher and Lewis Black regularly elicit laughs, while the other television talking heads send viewers on a search for headache relief.

The Capitol Steps are a musical revue that mines American politics, and have been doing so for more than 35 years. The story goes that it began at a Christmas party in Senator Charles Percy’s office, and like most Congressional activities, they just don’t know when to stop.

Of course there is lots of humor in politics. And for years, the Capitol Steps have been mining it.

2016 may offer the troupe its richest source of material ever. With a billionaire buffoon, a yiddish socialist and an ambitious, anointed former first lady as their primary targets, the stage is set.

With a fearless and talented quintet of refugees from our nation’s capitol, the performers – with nothing more than a few props – turn our current politics on its head. If only the nightly newscast was half as funny. There are several Capitol Steps troupes criss-crossing the country at any given time; in Lenox, the company has settled into a new performing space at the Cranwell Spa. So new in fact, you can still detect the new-car-smell of turps and sawdust.

Click to read the rest at Berkshire on Stage

THEATER REVIEW: “The Emperor of the Moon” @ Shakespeare & Company [Berkshire on Stage]

Monday, July 18th, 2016
Lori Evans and Kaileela Hobby in The Emperor of the Moon (photo:  Ava G. Lindenmaier)

Lori Evans and Kaileela Hobby in “The Emperor of the Moon” (photo: Ava G. Lindenmaier)

Review by Macey Levin

One of the delights each summer at Shakespeare and Co. is the over-the-top farce staged at the Rose Footprint in Lenox. This tent-covered playing space is similar to 16th and 17th century theaters, and the shows echo back to the famed Commedia del’Arte style of acting.

This summer’s show is the world premiere adaptation of The Emperor of the Moon by Aphra Behn (who is the subject of Or, to be presented at the Bernstein Theatre starting on Saturday [July 23]). This production is a hoot-and-a-half with its larger-than-life characters, tongue-in-cheek line delivery, vigorous staging and very talented actors who are obviously enjoying themselves.

The plot is predictable since it has been used again and again by myriad authors over the centuries. The Doctor (Lori Evans), who believes there is a moon-civilization, will not allow his daughter Elaria (Caroline Calkins) and niece Bellemante (Zoe Laiz) to meet men because earthlings are inferior; he is preparing them to marry moon-men.

Click to read the rest at Berkshire on Stage.

“The Emperor of the Moon” Brings Farce to Shakespeare & Co. [Berkshire on Stage]

Friday, July 15th, 2016

bosemperormoon

Shakespeare & Company’s Rose Footprint Theatre presents a world premiere adaption of The Emperor of the Moon by Aphra Behn. Directed by company veteran Jenna Ware, the uproarious and musically jam-packed comedy opens today (Friday, July 15) and runs through Saturday, August 20.

When love strikes, chaos ensues and a coup of astronomic proportions results. Sisters, suitors, servants and a father obsessed with the moon set the stage for a stellar farce performed under the open-air tent. Ware’s fast-paced family-friendly adaptation of Aphra Behn’s Restoration comedy, based in commedia dell’arte, offers audiences of every age a hearty dose of mayhem, music and merriment.

Click to read the rest at Berkshire on Stage.

ShakesCo Offers “Twelfth Night” @ The Mount [Berkshire on Stage]

Thursday, July 14th, 2016
Last year at the Dell at the Mount, Luke Reed gave us a memorable Hamlet (photo: Elizabeth Aspenlieder)

Last year at the Dell at the Mount, Luke Reed gave us a memorable “Hamlet” (photo: Elizabeth Aspenlieder)

Shakespeare & Company continues to roll out its 39th season with Twelfth Night, opening tonight (Thursday, July 14). Directed by Jonathan Croy, Shakespeare’s rebellious comedy plays at the Dell-Outdoors at The Mount: Edith Wharton’s Home through Saturday, August 20.

Outdoors, fresh and fast-paced, this popular comedy catapults audiences into a world of illusion, debauchery and mayhem. Amidst the forest and foliage, audiences are transported to the mythical land of Illyria – alongside the recently shipwrecked and lovelorn Viola. This 90-minute frolic unravels a madcap mix-up of characters and offers a reunion of epic proportions.

“There’s something magical about seeing a play at The Mount,” says veteran director Jonathan Croy. “Many people bring picnics and sit on that beautiful hillside in the open air, watching fight call or chatting with the actors before the show. I’ve seen conversations begun during the nightly Talkback continue well after the show was done. There’s a different energy, a ‘communal’ spirit that reminds me of the old days, when we performed down by Edith’s mansion under the stars.”

Click to read the rest at Berkshire on Stage.

LIVE: Joshua Bell & BSO @ Tanglewood, 7/8/16 [Berkshire on Stage]

Tuesday, July 12th, 2016

With a slow but steady rain falling, the lawn at Tanglewood was sparsely populated, but inside the shed there were smiles all around as the Boston Symphony Orchestra celebrated the opening of its 2016 Tanglewood season last night. The beginning of the classical season is always festive, and for long-time concert-goers, it was a pleasure to see and hear violinist Joshua Bell, back for his 28th consecutive summer at Tanglewood since his debut there in 1989. Bell’s choice as soloist was Saint-Saëns’s gypsy influenced Violin Concerto No. 3. The sound of his Strad filled the shed with infectious rhythms and melodies.

Canadian conductor Jacques Lacombe may not be known for florid conducting, but his communication with the players resulted in a delightfully raucous and colorfully Spanish-flavored Alborada del gracioso, by Ravel, eight minutes of pure musical fireworks that delighted this listener, who has never lost his appreciation for the contrast of shimmering brass duking it out with pizzicato strings and doubled harps. What an uplifting racket!

Click to read the rest at Berkshire on Stage.

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