LIVE: The Jazz/Latino All Stars @ Union College, 4/30/11

May 10th, 2011, 2:00 pm by Greg
Hilary Noble

Hilary Noble

The acoustically friendly Emerson Auditorium on the Union College campus was comfortably filled with dozens of jazz lovers when Dr. Jose Cruz, the driving force behind Jazz/Latino, Inc., addressed the audience from the stage. In the background, the hearty laughter and friendly banter between the members of the Jazz/Latino All Stars could be heard through an open door. Cruz chuckled and commented tongue-in-cheek to the audience, “They must be having some party back there.”

And they probably were. The first set had revealed glimpses of improvisational brilliance to the audience assembled, but now, during the intermission, the group had a moment to catch their collective breath, chat and laugh together while planning their second set.

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LIVE: The Jazz/Latino All Stars @ the Unitarian Society Whisperdome, 4/16/10

April 22nd, 2010, 4:45 pm by Greg

The Jazz Latino All Stars

Chris Washburne, Ray Vega and Hilary Noble

The First Unitarian Society’s Whisperdome started jumping as soon as the Jazz/Latino All Stars took the stage for the first of two generous sets last Friday night. The very special, one-night-only gathering of some of the finest Latin jazz musicians on the contemporary scene was the kick-off concert for the Ahora, Latin/Jazz! 2010 season. And what a way to get things started!

Headed by trumpet master Ray Vega (a veteran of the great Latin-jazz bands lead by Tito Puente, Ray Barretto, Mongo Santamaria and others), the ensemble included the explosive trombonist Chris Washburne and killer saxophonist Hilary Noble in the front line. The lovely Nikki Denner added magnificent piano accompaniment, as bassist Jennifer Vincent intertwined her rhythmic, bottom-end notes with explosive drummer Willie Martinez and conga maestro Wilson “Chembo” Corniel.

The outfit’s creative sparks ignited impassioned solos and tight ensemble playing in each tune they tackled. Washburne traded sweat-covered solos with Vega. Vega’s soaring trumpet passed the baton to Noble. And Noble turned up the heat before shifting the spotlight over to Denner, whose keyboard bite was as melodic as it was percussive.

However, it was the dynamic interplay between Corniel’s burning percussion and Martinez’s ever-shifting beats that nearly stole the show. If the front line had been manned by lesser musicians, instead of some of the best of the best, the beat masters would have simply run away with the melody, rhythm, spotlight and even the kitchen sink.

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