Posts Tagged ‘Interviews’

A Few Minutes With… Billy Joe Shaver

Monday, December 3rd, 2012

Billy Joe Shaver: His Songs Are the Key to His Survival

Interview and story by Don Wilcock

Willie Nelson talked Billy Joe Shaver into performing on New Year’s Eve, 2000 at Poodie’s outside of Austin, the same day Shaver’s son Eddy died of a heroin overdose. Shaver was on stage the night his mother died, and he also performed the same day he was acquitted of murder in 2010 after shooting Billy Bryant Coker in the face at Papa Joe’s Texas Saloon in Loredo. On Tuesday night, country music’s first outlaw plays the Ale House in Troy.

Even if Shaver hadn’t written all but one of the songs on Waylon Jennings’ Honky Tonk Heroes album, you could say that he epitomizes the country outlaw image. But he did, and that album – released in 1973 – today is generally considered the cornerstone of that whole sub-genre of country music.

Billy Joe’s dad beat his wife so badly when she was pregnant with him that it’s a miracle he was born. Brought up by his grandmother, Billy Joe only made it through the eighth grade before he had to go to work to keep food on the table. He married the same woman three times, the last time to nurse her to her death by cancer. The only consistency in his life has been his songs. In fact, he says songwriting has saved his life. He’s 73.

“I knew what I had when I was young. I started talkin,’ I started writin,’ makin’ stuff up in songs, you know. Or listening to other people singing what they’re singing. It just came to me. I just assumed it was a gift from God, and I was damn lucky to get it, and that’s the way I treated it. I’ve done the best I could with it, and if it’s a gift from God, then I’m lucky to have it.”

He plays guitar in spite of losing parts of three fingers in a saw mill accident. His latest album, Live at Billy Bob’s Texas, includes originals made famous by everyone from Willie Nelson and Johnny Cash to Kris Kristofferson. “Georgia on a Fast Train” alone (on the new album) has been covered by Tennessee Ernie Ford, the Allman Brothers Band, Johnny Cash, Dickey Betts & Great Southern, Commander Cody & His Lost Planet Airmen, Twangbangers, Two Cow Garage and at least 17 others…

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A Few Minutes With… Marco Benevento

Thursday, November 29th, 2012

Interview and story by J Hunter

In an interview on BBC’s “Jonathan Ross Show,” Laurence Fishburne was asked why he doesn’t do martial arts any more. Fishburne’s answer was quite simple: “Because I’m old… It hurts!” I tend to avoid shows in “stand-up” nightclubs for exactly the same reason. And yet, there I was last October at Red Square, pounding on the wall next to the stage as Marco Benevento’s trio lifted the building higher and higher. The pain shooting up my back told me my chiropractor was definitely going to make his car payment that month, but I just DID… NOT… CARE! All I wanted was more of what I was getting, and the people stuffed into Red Square’s back-room concert space were on the same page as me.

Mind you, this was a piano trio I was watching – you know, the kind of group Vince Guaraldi used on the soundtrack to “A Charlie Brown Christmas”? And yet, the waves of energy and electricity that flowed off that stage left me completely gobsmacked. I’d seen the Ramones at their height, Peter Gabriel before he had hits of his own, and the Boomtown Rats before Bob Geldof got knighted, and those are the only times I could remember being exposed to that much raw power; the dual streams of intelligence and humor that came with this particular brand of power kept me glued to the side of the stage, spinal cord be damned!

I learned long ago not to expect my live experiences to translate to a band’s studio recordings, but Benevento’s new disc TigerFace leapfrogs those expectations without breaking a sweat. There are many reasons for this, and you can read about them here. And since Benevento is bringing his trio back to Red Square this Saturday night (December 1), I spoke with him for a few minutes about TigerFace, live shows and the studio where one of the most famous albums ever recorded was made:

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A Few Minutes With… Rob Crowell of Deer Tick

Friday, October 12th, 2012

Rob Crowell (photo by Jason Lehr)

Rob Crowell (photo by Jason Lehr)


Story and interview by Kirsten Ferguson

We caught up with Deer Tick keyboardist Rob Crowell “somewhere between” Tennessee and Rhode Island as he and Deer Tick founder/frontman John McCauley drove from their new hometown of Nashville to their old stomping grounds of Providence to pick up the rest of the band (Dennis Ryan, Chris Ryan and Ian O’Neil) and start a tour that kicks off in Saratoga Springs on Saturday night at the Putnam Den.

Q: You’ve played in the Capital Region several times at this point — Jillian’s in Albany last winter, the Restoration Festival, Valentine’s and a few other places before that. Any memories in particular that stand out?

A: I don’t totally remember to be honest. I think the last time we were there it was a bit of a blur. It was the last show of a long tour. I remember having a good time though.

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A Few Minutes With… Bob Blood, Sculpting Life

Wednesday, September 19th, 2012
Bob Blood: Three Fates

Bob Blood: Three Fates

Story and photographs by Richard Brody

You probably don’t know Bob Blood, but you may very well have been in the presence of his work. Bob is an artist who is best known for his abstract sculptures. If you live in Schenectady, you might have seen one of his pieces in the Rose Garden in Central Park, at the Schenectady Jewish Community Center or on the grounds of the First Unitarian Society on Wendell Avenue. In Albany, you might have glimpsed one of his pieces at the Albany Law School campus, along the sidewalk of the Cathedral of Immaculate Conception or at the Albany Jewish Community Center, where one of his first commissions, the “Burning Bush” can be seen.

A large sample of Bob’s drawings, figures and abstract pieces can be currently seen at the Promenade Gallery located at 138 Jay Street in Schenectady. Owned and operated by Embarek Mesbahi, the gallery is generally open only by appointment (518-312-1829) but it will be open to the public on the evening of Friday (September 21) for the Art Night Schenectady arts walk.

I first met Bob’s work when my wife and I bought a house just around the corner from his home. Bob’s yard functions as a local gallery; larger pieces are in the front, while smaller ones are installed along the side and in the back. The most striking work is the tallest, “Three Fates” (2002), comprised of three seemingly shrouded figures that appear to be making decisions about someone’s destiny.

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A Few Minutes With… Steven Bernstein of the Millennial Territory Orchestra

Wednesday, September 12th, 2012

Story and interview by J Hunter

To my mind, multi-instrumentalist Steven Bernstein made the Jazz Hall of Fame the minute he came up with the concept for Sex Mob. You have to love a group that plays music as smart as they do while carrying a band name that sounds like a headliner on the death metal bar-band circuit.

But Bernstein’s done a lot more than take Bond film theme songs and launch them into orbit: He was a longtime member of the Levon Helm Band, playing regularly at one of the coolest concert experiences I’ve ever experienced – the Midnight Ramble (Bernstein wrote the horn charts for Helm’s Grammy Award-winning 2009 disc Electric Dirt); he was part of the monster horn section that drove my #1 Jazz Disc of 2011, Jacob Fred Jazz Odyssey’s Race Riot Suite; he’s composed and arranged music for movie and television projects, and the list of artists he’s arranged for include Elton John, Lou Reed, Rufus Wainwright and Marianne Faithfull.

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A Few Minutes With… Delfeayo Marsalis

Tuesday, September 4th, 2012
Delfeayo Marsalis

Delfeayo Marsalis

Story and interview by J Hunter

I never thought I’d see it in my lifetime, but on Saturday (September 8) at the Port of Albany’s Riverfront Jazz Festival, Greater Nippertown will complete its first-ever “Marsalis Slam” when trombonist Delfeayo Marsalis joins another great Riverfront lineup on the Corning Preserve.

Over the last eight months, we’ve seen (in order of appearance) the Branford Marsalis Quartet, the Jason Marsalis Vibes Quartet and Wynton Marsalis’ Lincoln Center Jazz Orchestra hit us with their respective takes on the music introduced to them by their father, pianist Ellis Marsalis. While Delfeayo may have the shortest discography of the four brothers, the mastery he displays on his chosen instrument puts him at the top of the list of trombonists playing today; we saw that in 2006, when Marsalis’ sextet set fire to Shepard Park during Lake George Jazz Weekend’s first evening show.

Along with a great list of accomplishments as a New Orleans educator, Marsalis also served up one of my Top 10 Jazz CDs of 2011: “Sweet Thunder,” a re-boot of Duke Ellington’s expansive tribute to the iconic playwright William Shakespeare. While Delfeayo’s take shows proper respect for the original compositions, Marsalis’ stripped-out arrangements combine with a stellar octet (featuring Branford and Jason) to breathe sparkling new life into one of Ellington’s sensational late-career suites.

I can’t tell you how pleased I was when Delfeayo Marsalis agreed to speak with me about “Sweet Thunder” (and other subjects):

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A Few Minutes With… Stephen Trombley and Angela Kaset

Tuesday, July 24th, 2012
Angela Kaset and Stephen Trombley

Angela Kaset and Stephen Trombley

Story by Thomas Dimopoulos
Follow on Twitter: @thomdimopoulos

Stephen Trombley was driving through Tennessee, where the roadways sprawl across the state for 94,000 miles. It is enough to circle the world three times.

“I’ll have to call you back in a few minutes,” Trombley bellowed, his voice rising over the symphonic rattle of gas-powered clunkers that seeped through his cellphone. “I’m just learning this highway system in Nashville,” he said. “And I am completely going in the wrong direction.”

Exploring the roadways of his new home state, there are worse things in life than getting lost in Music City for the musician, author and Emmy Award-winning filmmaker. The gigs have been immediate; the collaborations with fellow songwriters, plentiful. “You sit in a room together for two hours, and you come out with a song,” Trombley explained, after he solved the Tennessee highway riddle to eventually meet up with renowned Nashville songwriter Angela Kaset.

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A Few Minutes With… WCDB-FM’s Bill McCann

Thursday, July 12th, 2012
Bill McCann

Bill McCann

Interview, story and photographs by J Hunter

It was a true gathering of the tribes at the Van Dyck Restaurant & Lounge in Schenectady on Saturday, June 23: A Place for Jazz and the Swingtime Jazz Society, musicians and media people, and a big cross-section of the multi-faceted fan base that supports the jazz community of Greater Nippertown – all there to see WCDB’s Bill McCann receive a 2012 Jazz Hero Award from the Jazz Journalists Association.

Emcee/drum monster Joe Barna was rightly effusive as he ran down McCann’s contributions to the state of jazz in this area: 27 years worth of Saturday mornings, giving us all four hours of the best jazz around; a major member of the brain trust at A Place for Jazz, which means some of the music we see every fall at the Whisperdome has his fingerprints on it; supporting local jazzers’ own recording efforts – not only by playing their discs, but also by bringing them on his show to talk about their music; and giving other members of the community a say in the music he plays by bringing them on his show as well. (Full disclosure: Bill’s let me play on his show three times, and each time has been one of the highlights of my year!)

It was a great afternoon: The ceremony was bookended by old friends & new friends noshing on chicken wings and pizza and talking about the music they love, and it was followed by the Luca Ciarla Quartet playing a concert in the Van Dyck’s upstairs performance space hosted by Swingtime Jazz Society. But while I was able to shake Bill’s hand and congratulate him for the award, the onslaught of well-wishers made it impossible for me to spend more than a couple of minutes with him… which is why I’m sounding a few minutes with him right now!

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