October 16th, 2009, 1:01 pm by Greg
June 29th, 2009, 12:47 pm by Greg
Dave Brubeck, Michael Moore, Randy Jones
Not trying to be morbid or disrespectful or anything like that, but for the past five or six times that we’ve had the thoroughly enjoyable pleasure of seeing Dave Brubeck in concert, we say to ourselves, “Well, this will probably be the last opportunity we’ll have to hear him.”
And then he comes back again, and we see him again, and we think the same thing again.
Brubeck is 88 years old.
There are 88 keys on the piano.
You do the math.
On Wednesday night, the masterful Brubeck led his quartet into the College of St. Rose’s Massry Center for the Arts in Albany, and once again delivered a sparkling, imaginative, passionate concert.
NOTE: Now we realize that a lot of people donated a lot of money to build this beautiful arts center, but don’t you think it’s going a little overboard that Brubeck performed on the D’Arcy-Brady Stage of the Kathleen McManus Picotte Recital Hall in the Massry Center for the Arts at the College of Saint Rose?
Walking onstage to a rousing standing ovation, Brubeck shuffled up to the microphone and said, “Thank you. I hope you do that after we play.” No problem there, as standing o’s were regularly – and rightfully – scattered throughout the two generous hour-long sets.
And the sets were filled with a delightful balance and variety of tunes – the funky “Crescent City Stomp” (with drummer Randy Jones turned the traditional New Orleans parade beat inside out and upside down), the beautiful ballad “Elegy,” a sizzling, all-bopped-up rendition of Gerswhin’s “I Got Rhythm,” a sweet ‘n’ wistful reading of Eubie Blake’s “Memories of You,” the bluesy whisper-to-a-wail of “Stormy Weather” (featuring a sensational sax solo from Bobby Militello).
And, yes, the white-haired, tuxedo-clad quartet wrapped up the show with a requisite run-through of “Take Five.” Brubeck didn’t even bother to mention that the song and the album that featured it (“Time Out”) is celebrating its 50th anniversary this year. He didn’t have to. Wednesday’s 11-minute version still provided surprises, even after all these years, as the bandmembers took the jazz classic and ran it through a variety of twists and turns, culminating in a torrential drum solo from Randy Jones.
But the band wasn’t done yet. Returning for an encore, Brubeck tickled out an old familiar melody on the Steinway, almost joking around. The musicians all laughed and slipped into the impromptu song, bassist Michael Moore shining with an appropriately woozy, off-balance solo. The next thing you know, the whole audience was all singing along:
“Show me the way to go home
I’m tired and I want to go to bed
I had a little drink about an hour ago
And it went right to my head
Where ever I may roam
On land or sea or foam
You will always hear me singing this song
Show me the way to go home”
You can also check out my review in the Times Union.
The Dave Brubeck Quartet performs at the Colonial Theatre in Pittsfield, Mass. at 8pm on Saturday, October 17. Also on the bill will be the Berkshire Jazz Youth Ensemble.
Michael Moore and Bobby Militello
Bettye Lavette (photo by Andrzej Pilarczyk)
The 32nd annual Freihofer’s Jazz Festival took place at the Saratoga Performing Arts Center on Saturday and Sunday, June 27-28. You can read my reviews in the Times Union. For a second opinion from the Daily Gazette, go here or here. We also have more photos from Saturday and Sunday.
Here are a few additional random thoughts regarding the fest:
AGE AIN’T NOTHIN’ BUT A NUMBER: Never has the dichotomy of age been so evident as it was at the Sunday edition of the fest. The big amphitheater main stage definitely belonged to the veterans, including Bettye LaVette (age 63), George Benson (66), George Coleman (74) and Dave Brubeck (88). Meanwhile, the more intimate gazebo stage was ruled by youth, including bandleaders Aaron Parks (24), Julian Lage (21) and Grace Kelly (17). In fact, their three combined ages don’t even match LaVette’s age, coming in at just 62.
NO THRILLER: I heard Michael Jackson’s death referenced only once again throughout the fest – when Patti LaBelle asked for a moment of silence for Ed McMahon, Farrah Fawcett and Michael Jackson. Jackson’s music wasn’t much of a factor, either, surfacing only for a brief snippet of “Wanna Be Startin’ Something” during one of bassist Marcus Miller’s solos.
DOUBLE DUTY: As advertised trumpeter Wallace Roney pulled double-duty on Saturday, performing as the featured soloist with Jimmy Cobb and the So What Band on the main stage before making his way over to the gazebo stage later in the day to lead his own quintet. But it was bassist John Webber who pulled the most impressive doubleheader of the fest – playing with Cobb’s So What Band on Saturday and returning to the main stage again on Sunday as a member of George Coleman’s quartet.
Dave Brubeck and Michael Moore (photo by Andrzej Pilarczyk)
TRIBUTE TIME: The big performances of the fest honored the half-century anniversary of classic jazz albums – Miles Davis’ “Kind of Blue” and the Dave Brubeck Quartet’s “Time Out.” But the tributes didn’t end there. George Benson honored the music of Nat King Cole by singing a dozen of Cole’s biggest hits. And trumpeter Mark Morganelli built the entire performance of his Jazz Forum Brazil Project into an homage to Antonio Carlos Jobim.
UNDER THE COVERS: Amid all of the tributes to jazz greats, there were, as always, a few selections that you might not expect to hear at a jazz fest. The Dred Scott Trio gets top honors in this category with an ambitious re-invention of Blue Oyster Cult’s “Don’t Fear the Reaper.” In second place is the Aaron Parks Trio, who closed their gazebo set with Robert Wyatt’s “Sea Song.” And spectacular R&B vocalist Bettye LaVette deserves a category all to herself for a delivering a devastating set that not only included Dolly Parton’s “Little Sparrow,” but also a towering a capella rendition of Sinead O’Conor’s “I Do Not Want What I Haven’t Got.”
JAZZ FEST BY THE NUMBERS:
3 bassists in SMV
3 trombonists in Bonerama
13 members of the Spanish Harlem Orchestra
17 – the age of the fest’s youngest bandleader, saxophonist Grace Kelly
21 acts performed during the fest
28 members of the orchestra for George Benson’s tribute to Nat King Cole
31 hours of live music over the course of the fest
32 years that SPAC has hosted the jazz fest under a variety of sponsor names
50 years since the release of Miles Davis’ “Kind of Blue” and Dave Brubeck’s “Time Out”
88 – the age of the fest’s oldest bandleader, pianist Dave Brubeck
George Benson (photo by Andrzej Pilarczyk)