Posts Tagged ‘Berkshire On Stage’

THEATER Review: Tina Packer Stars in “Mother of the Maid” @ Shakespeare & Co. [Berkshire on Stage]

Friday, August 28th, 2015
Anne Troup as Joan Arc and Tina Packer as Isabelle Arc.

Anne Troup as Joan Arc and Tina Packer as Isabelle Arc

Theater review by Gail M. Burns

Ever heard of Isabelle Romée (1377–1458)? She was married to a man named Jacques d’Arc and they had a daughter named Jeanne, known in English as Joan. Joan d’Arc. Joan of Arc. The Maid of Orleans. Saint Joan.

I had always been presented with Joan of Arc (1412-1431) as a peasant girl, but in fact her family was what we today would consider solidly middle class. They owned and farmed several acres. Isabelle spun wool, while Jacques also held a minor position in the village government as a tax collector. Yes, they were illiterate; the majority of people were back then. After Joan went to court, the family was ennobled in 1429 by King Charles VII, the former dauphin who Joan had brought to the throne. After Joan’s death, Isabelle moved to Orleans, where she received a pension from that city.

Turns out the apple didn’t fall far from the tree. While Isabelle’s life was far less spectacular than her daughter’s, she was an intelligent and tenacious woman who devoted the second half of her life to clearing Joan’s name. This required her to learn to read and write so that she could petition a series of Popes and argue her case before church courts, and to travel internationally. Over the course of four years from 1452-1456, the posthumous retrial of Joan’s case involved clergy from all across Europe and concluded with her being cleared of all charges and labeled a martyr instead of a heretic. Incidentally, the crime for which Joan was burned alive was cross-dressing, and she wasn’t canonized until 1920.

Click to read the rest at Berkshire on Stage.


Roomful of Teeth Return to MASS MoCA on Friday [Berkshire on Stage]

Thursday, August 27th, 2015
Roomful of Teeth (photo: Nicholas Whitman)

Roomful of Teeth (photo: Nicholas Whitman)

Exploring new vocal territory and sharing music from their new 2015 album Render, the Grammy Award-winning vocal ensemble Roomful of Teeth comes home to MASS MoCA in North Adams to celebrate the work of composer-in-residence Ted Hearne, harnessing all sorts of colors, gestures and timbres as the group explores all possibilities of the human voice. Roomful of Teeth’s annual two-week residency culminates in a concert at 8pm on Friday (August 28).

Both as an expansion and a tribute to the group’s self-titled predecessor (called “sensually stunning” by The New York Times), Render is the next leg of Roomful of Teeth’s journey to mine the expressive possibilities of the magnificent vocal palette offered by each of the ensemble’s eight powerful singers. Group alto and Pulitzer Prize-winner Caroline Shaw relates the title of the album to the “idea of seeing…distinct particles slowly come together [to] create an image” (NPR). The recording emerges as one likeness, but remains unforgettably composed by distinct and enormously talented contributors, including founder and artistic director Brad Wells, as well as William Brittelle, Wally Gunn, Missy Mazzoli, Caleb Burhans and ensemble tenor Eric Dudley.

Click to read the rest at Berkshire on Stage.

“Engagements” @ Barrington Stage Co. [Berkshire on Stage]

Monday, August 24th, 2015
Adam Gerber, Robert David Grant and Amanda Quaid.

Adam Gerber, Robert David Grant and Amanda Quaid.(photo: Kevin Sprague)

By Larry Murray

The newest play at Barrington Stage Company in Pittsfield is the sexy, millennial world premiere comedy Engagements by Lucy Teitler, which runs through Sunday (August 30).

Engagements tells the story of Lauren, a very bright but slightly confused millennial who is spending her summer attending picture-perfect engagement parties. Lauren has no qualms when facing love’s trials, but may have met her match in her best friend’s boyfriend. As the unforgettable heroine of this pitch-black anti-romantic comedy, Lauren navigates this midsummer nightmare as she weighs the value of her romantic life against the real significant other in her life, her best friend.

Click to read the rest at Berkshire on Stage.

MUSIC: PigPen Theatre Co. Arrives @ MASS MoCA on Saturday [Berkshire on Stage]

Thursday, August 13th, 2015

Part innovative theatre company and part indie-folk band, PigPen Theatre Co. creates albums that turn into musicals performed as fully staged productions or straight-forward concerts. The band will be at MASS MoCA in North Adams for the latter, playing material from their new album, Whole Sun, which was released last month. Currently on a national tour, PigPen arrives on the MASS MoCA campus at 8pm on Saturday (August 15) for a sprawling, rollicking live show, outdoors on the Dré Pavilion.

PigPen Theatre Co.’s pursuits are anything but strictly theatrical, and the group has attracted a huge following on the merit of their music alone. PigPen’s debut album, Bremen, was named the #10 album of the year by The Huffington Post. The members of PigPen aren’t lying when they say they couldn’t have done it without their fans: the band’s freshly released sophomore LP, Whole Sun, successfully raised more than $50,000 via Kickstarter, exceeding its original goal in less than 48 hours.

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THEATER Review: “The Comedy of Errors” @ Shakespeare & Co. [Berkshire on Stage]

Wednesday, August 12th, 2015
(l to r) Kelley Curran as Adriana, Aaron Bartz as Dromio of Ephesus, Ian Lassiter as Antipholus of Ephesus, Ben Chase as the Officer, Malcolm Ingram as Egeon, Douglas Seldin as Luce, Christianna Nelson as the Abbess and Cloteal L. Horne as Luciana.

(l to r) Kelley Curran as Adriana, Aaron Bartz as Dromio of Ephesus, Ian Lassiter as Antipholus of Ephesus, Ben Chase as the Officer, Malcolm Ingram as Egeon, Douglas Seldin as Luce, Christianna Nelson as the Abbess and Cloteal L. Horne as Luciana. (photo: Enrico Spada)

Theater review by Gail M. Burns

Yesterday, as I was writing my review of The Unexpected Man, a little voice in my head said, “You should wait until after you see The Comedy of Errors to write this.” But speed is everything in these days of instant electronic communication, and I chose to meet my deadline rather than to wait until I had a broader base of information. Now I regret it.

Rick Dildine was the Executive Director of Shakespeare & Company in Lenox for about six controversial months in 2014-2015, and both this big, bold, energetic production and the tiny fragile staging of Unexpected Man are the result of invitations he issued to directors new to the Berkshires. The two shows share the space in the Tina Packer Playhouse, where Comedy of Errors practically bursts the seams of the former Quonset hut, and The Unexpected Man seems to barely leave a footprint as it tip-toes through. Looking at The Unexpected Man alone, it appeared that Dildine had little sense of what the space was for or about. Assessing the two shows together, a broader and more coherent plan for the season emerges.

And I am actually the only member of the press to see The Unexpected Man first and The Comedy of Errors second. The Shakespeare comedy opened two weeks ahead of the Yasmina Reza one-act, but health issues delayed my opportunity to see the former. Dildine’s choice of the young Taibi Magar, a recently minted MFA from Brown University-Trinty Rep directing program, was genius and right in step with Tina Packer’s tradition of hiring innovative female directors with a genuine love and respect for the Bard. She in turn has cast from both inside and from outside the Shakespeare & Company stable of performers, and while it is painful to long-time fans of the Company to see comic geniuses like Josh Aaron McCabe and Michael F. Toomey relegated to minor roles, the newcomers Magar has hired are excellent and blend well with Company regulars like Cloteal L. Horne and Douglas Seldin.

Click to read the rest at Berkshire on Stage.

THEATER: Audra McDonald Shines in WTF’s “A Moon for the Misbegotten” [Berkshire on Stage]

Tuesday, August 11th, 2015
Audra McDonald (Josie Hogan). Photograph T. Charles Erickson.

Audra McDonald (as Josie Hogan). Photograph T. Charles Erickson.

Theater review by Roseann Cane

Eugene O’Neill describes Josie Hogan as having the map of Ireland stamped on her face, a woman of Amazonian proportions, nearly six feet tall and 180 pounds. (A Moon for the Misbegotten is set in 1923, when a woman of that size would have certainly been unusual.) With her brash persona, and her boasts of multiple sexual flings, she puts on a fearful show, and though I’m a big admirer of Audra McDonald, I had concerns that the beautiful, elegant actress would be miscast, a distraction.

But McDonald is bigger than that, figuratively speaking. In this heart-wrenching production at the Williamstown Theatre Festival, McDonald makes Josie her own, and the raw honesty of her Josie is magnificent.

The entire cast is superb. Josie and her father Phil (the great Glynn Turman) are tenant farmers living in a shack on the the estate now owned by James Tyrone (Will Swenson, who also happens to be McDonald’s husband). Tyrone is a dissipated alcoholic, a womanizing Broadway actor whom O’Neill modeled after his brother, the same James Tyrone from A Long Day’s Journey Into Night. With his elegant attire and fine manners, it would seem odd that James is drawn to the rough-hewn Josie, and that she is in love with him, but the beautifully crafted play brings us to an unforgettable understanding of their mutual love.

Click to read the rest at Berkshire on Stage

Visa Problems Force Cancellation of “Chewing Gum Dreams” @ Williamstown Theatre Festival [Berkshire on Stage]

Monday, August 10th, 2015
Michaela Coel

Michaela Coel

By Larry Murray

Williamstown Theatre Festival has announced that the American premiere of Chewing Gum Dreams, the solo show written and performed by Michaela Coel, scheduled to begin performances on Wednesday (August 12), has been cancelled due to delays with immigration procedure.

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THEATER Review: “Frankie and Johnny in the Clair de Lune” @ Fitzgerald Main Stage [Berkshire On Stage]

Friday, August 7th, 2015
Darren Pettie (l) and Angel Desai (r) in Frankie and Johnny in the clare de lune. Photo by Michelle McGrady.

Darren Pettie (l) and Angel Desai (r) in “Frankie and Johnny in the Clair de Lune.” Photo by Michelle McGrady.

Theater review by Larry Murray

In his play about a failed actress turned waitress and a short order cook who quotes Shakespeare, Terrence McNally has peopled his play Frankie and Johnny in the Clair de Lune with two interesting characters. And very little plot. When it comes to classic love affairs, Frankie and Johnny tales are numerous, and in this case the tragic and doomed love affair is reimagined as a one-night stand that turns serious.

With the lights and classical music turned down low, the audience giggles, then laughs at the Berkshire Theatre Group’s Fitzgerald Main Stage, as this tale begins with the sounds of steamy sex and a series of ever more intense moans and groans emanating from beneath the sheets. We hear (but do not see) Frankie (Angel Desai) and Johnny (Darren Pettie) consummating their mating in a big bed that dominates the set. Resplendent and massive, it takes up what seems like half the fifth floor walk-up tenement that is Frankie’s home. Sex over, she wants to send Johnny on his way so she can enjoy the rest of the evening watching TV and eating ice cream. Out of the blue, Johnny announces he wants to spend the rest of his life with her, raise a family and have non-stop sex. She is having none of it.

That is the gist of the story which can be summarized even more simply. In the first act, Frankie makes him a meatloaf sandwich, and in the second act he makes her a western omelette. He has a beer with a milk chaser as he engages in grandiose sentiments, and she is having none of it.

Click to read the rest at Berkshire on Stage.

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