Posts Tagged ‘Berkshire On Stage’

“peerless” Premieres at Barrington Stage Co. [Berkshire on Stage]

Wednesday, July 20th, 2016

peerless

Jiehae Park’s comedy peerless will be seen for the first time in the Berkshires at the Barrington Stage Company, the award-winning theater in downtown Pittsfield.

Directed by Louisa Proske, peerless begins previews on Thursday (July 21), officially opens on Sunday (July 24), and runs through Saturday, August 6 at BSC’s St. Germain Stage.

peerless tells the story of brilliant, ambitious twin sisters L and M when they realize that perfect academics and superb extracurricular activities aren’t enough to get into their dream college – so they decide to take matters into their own hands. peerless is a comedy…until it isn’t.

Click to read the rest at Berkshire on Stage.

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“The Tempest” Comes to Pittsfield Shakespeare in the Park [Berkshire on Stage]

Wednesday, July 20th, 2016
(Photo by Haley Barbieri)

(Rehearsal photo by Haley Barbieri)

Shakespeare’s magical (and final) play, The Tempest, a story of revenge and redemption on a magical, mysterious island, opens soon in a free production outdoors on the First Street Common in Pittsfield. The Tempest is directed by Enrico Spada and features Berkshire theatre veteran Glenn Barrett as Prospero, leading a cast of professionals and young adult actors from across the Berkshires.

Pittsfield Shakespeare in the Park’s third annual free production opens at 8pm on Thursday (July 21), following Pittsfield’s 3rd Thursdays street festival that evening, and runs Thursdays–Sundays at 8pm for 12 performances ending Sunday, August 7. Admission is free. Performances take place on Pittsfield’s First Street Common, located next to the Zion Lutheran Church. Audiences are invited to bring picnic blankets and lawn chairs and enjoy the romance under the stars.

Click to read the rest at Berkshire on Stage.

World Premiere of “Romance Novels for Dummies” in Williamstown [Berkshire on Stage]

Tuesday, July 19th, 2016
Mary Wiseman (L) and Justin Long (R) in rehearsal together for the world premiere of Romance Novels for Dummies by Boo Killebrew (photo: Daniel Rader)

Mary Wiseman (L) and Justin Long (R) in rehearsal together for the world premiere of “Romance Novels for Dummies” (photo: Daniel Rader)

By Larry Murray

You probably don’t know much about the new comedy Romance Novels for Dummies by Boo Killebrew since it is another world premiere play for the Williamstown Theatre Festival. Directed by Tony nominee Moritz von Stuelpnagel, it has a top notch cast replete with personal favorite Justin Long, the stunning Mary Wiseman, plus the enchanting Emily Lyons, Ashley Austin Morris, Connie Ray and the anchor, a solid Andrew Weems.

The set-up is wonderful, full of both dramatic and comic possibilities. Sisters Liz and Bernie couldn’t be more different: Liz is a good, Southern stay-at-home mom; Bernie is a flailing actress smoking and swearing her way through New York City. But when Liz is suddenly widowed, she and her young daughter move in with Bernie to start again. While Bernie challenges all of Liz’s assumptions about life, love and raising a child, Liz goes out on a series of internet dates which eclipse the grief, fear and gentility she’s known for so long. Can Liz compel her own story to end like a romance novel?

Romance Novels for Dummies is a play which asks us to imagine how we might handle the curve-balls — big and small — that life throws us.

Click to read the rest at Berkshire on Stage.

THEATER REVIEW: “The Emperor of the Moon” @ Shakespeare & Company [Berkshire on Stage]

Monday, July 18th, 2016
Lori Evans and Kaileela Hobby in The Emperor of the Moon (photo:  Ava G. Lindenmaier)

Lori Evans and Kaileela Hobby in “The Emperor of the Moon” (photo: Ava G. Lindenmaier)

Review by Macey Levin

One of the delights each summer at Shakespeare and Co. is the over-the-top farce staged at the Rose Footprint in Lenox. This tent-covered playing space is similar to 16th and 17th century theaters, and the shows echo back to the famed Commedia del’Arte style of acting.

This summer’s show is the world premiere adaptation of The Emperor of the Moon by Aphra Behn (who is the subject of Or, to be presented at the Bernstein Theatre starting on Saturday [July 23]). This production is a hoot-and-a-half with its larger-than-life characters, tongue-in-cheek line delivery, vigorous staging and very talented actors who are obviously enjoying themselves.

The plot is predictable since it has been used again and again by myriad authors over the centuries. The Doctor (Lori Evans), who believes there is a moon-civilization, will not allow his daughter Elaria (Caroline Calkins) and niece Bellemante (Zoe Laiz) to meet men because earthlings are inferior; he is preparing them to marry moon-men.

Click to read the rest at Berkshire on Stage.

“The Emperor of the Moon” Brings Farce to Shakespeare & Co. [Berkshire on Stage]

Friday, July 15th, 2016

bosemperormoon

Shakespeare & Company’s Rose Footprint Theatre presents a world premiere adaption of The Emperor of the Moon by Aphra Behn. Directed by company veteran Jenna Ware, the uproarious and musically jam-packed comedy opens today (Friday, July 15) and runs through Saturday, August 20.

When love strikes, chaos ensues and a coup of astronomic proportions results. Sisters, suitors, servants and a father obsessed with the moon set the stage for a stellar farce performed under the open-air tent. Ware’s fast-paced family-friendly adaptation of Aphra Behn’s Restoration comedy, based in commedia dell’arte, offers audiences of every age a hearty dose of mayhem, music and merriment.

Click to read the rest at Berkshire on Stage.

ShakesCo Offers “Twelfth Night” @ The Mount [Berkshire on Stage]

Thursday, July 14th, 2016
Last year at the Dell at the Mount, Luke Reed gave us a memorable Hamlet (photo: Elizabeth Aspenlieder)

Last year at the Dell at the Mount, Luke Reed gave us a memorable “Hamlet” (photo: Elizabeth Aspenlieder)

Shakespeare & Company continues to roll out its 39th season with Twelfth Night, opening tonight (Thursday, July 14). Directed by Jonathan Croy, Shakespeare’s rebellious comedy plays at the Dell-Outdoors at The Mount: Edith Wharton’s Home through Saturday, August 20.

Outdoors, fresh and fast-paced, this popular comedy catapults audiences into a world of illusion, debauchery and mayhem. Amidst the forest and foliage, audiences are transported to the mythical land of Illyria – alongside the recently shipwrecked and lovelorn Viola. This 90-minute frolic unravels a madcap mix-up of characters and offers a reunion of epic proportions.

“There’s something magical about seeing a play at The Mount,” says veteran director Jonathan Croy. “Many people bring picnics and sit on that beautiful hillside in the open air, watching fight call or chatting with the actors before the show. I’ve seen conversations begun during the nightly Talkback continue well after the show was done. There’s a different energy, a ‘communal’ spirit that reminds me of the old days, when we performed down by Edith’s mansion under the stars.”

Click to read the rest at Berkshire on Stage.

DANCE: “Mariko’s Magical Mix” Heads Into Jacob’s Pillow [Berkshire on Stage]

Wednesday, July 13th, 2016

Hubbard Street 2, the young second company of the world-renowned Hubbard Street Dance Chicago, will present Mariko’s Magical Mix: A Dance Adventure for their Jacob’s Pillow debut, in the Doris Duke Theatre, opening tonight (Wednesday, July 13) and running through Sunday. In collaboration with design studio Manuel Cinema, Princess Grace Award recipient and recent member of Hubbard Street Dance Chicago Robyn Mineko Williams creates a whimsical and family-friendly performance. Intertwining shadow puppetry and contemporary dance with an imaginative narrative, the piece is recommended for ages five and up, as well as the young at heart.

Led by Artistic Director Terence Marling, Hubbard Street 2 is known for its highly-selective six-person ensemble of young, artistically and technically mature dancers. The mission of the company is to foster artistic growth and hone the technical skills of the talented 18-25 year old company members, many of whom have gone onto become members of Hubbard Street Dance Chicago, as well as other top dance companies worldwide. The Chicago Sun Times praises the consistent level of work produced by the company: “It’s called the ‘second’ company, but there is nothing second-class about Hubbard Street 2.”

Mariko’s Magical Mix: A Dance Adventure tells the story of Mariko, a young girl whose day-to-day monotony is transformed into a joyful adventure when she finds a collection of her mother’s vinyl records in their attic. The music takes Mariko on a surprising voyage where she discovers new friends, interesting machinery, and strange creatures. This journey ultimately allows her to discover a unique inner-strength and rhythm that she can use to guide her everyday experiences. In one 60-minute work, the six dancers of HS2 tell Mariko’s colorful story through beautifully mesmerizing movement, small gestures, and emotive music cues that are seamlessly integrated with cinematic shadow puppetry. Mariko’s Magical Mix: A Dance Adventure is praised for being a “gorgeous contemporary dance adventure [that] needs to be experienced by the whole family” (Kendall Mostafavi, DC Metro Theater Arts).

Click to read the rest at Berkshire on Stage.

LIVE: Joshua Bell & BSO @ Tanglewood, 7/8/16 [Berkshire on Stage]

Tuesday, July 12th, 2016

With a slow but steady rain falling, the lawn at Tanglewood was sparsely populated, but inside the shed there were smiles all around as the Boston Symphony Orchestra celebrated the opening of its 2016 Tanglewood season last night. The beginning of the classical season is always festive, and for long-time concert-goers, it was a pleasure to see and hear violinist Joshua Bell, back for his 28th consecutive summer at Tanglewood since his debut there in 1989. Bell’s choice as soloist was Saint-Saëns’s gypsy influenced Violin Concerto No. 3. The sound of his Strad filled the shed with infectious rhythms and melodies.

Canadian conductor Jacques Lacombe may not be known for florid conducting, but his communication with the players resulted in a delightfully raucous and colorfully Spanish-flavored Alborada del gracioso, by Ravel, eight minutes of pure musical fireworks that delighted this listener, who has never lost his appreciation for the contrast of shimmering brass duking it out with pizzicato strings and doubled harps. What an uplifting racket!

Click to read the rest at Berkshire on Stage.

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