Review by Macey Levin
A young, struggling author/artist of children’s books is offered the chance to observe his idol, a legendary figure. He sees that he can watch a genius at work and, when the time is right, show him his own book with which he has been struggling for years. Unbeknownst to him, this opportunity is fraught with unknown challenges. This is the premise of Shem Bitterman’s The Stone Witch, currently in its world premiere at the Berkshire Theatre Group’s Fitzpatrick Main Stage in Stockbridge.
Peter Chandler (Rupak Ginn) has submitted his book to a powerhouse editor, Claire Forlorni (Kristin Griffith), who likes his work but also tells him she needs help to motivate fabled author Simon Grindberg (Judd Hirsch) to finish a project that is now 12 years old. She asks Peter to spend one day a week with Simon. He accepts the task.
Upon arriving at Simon’s isolated country home, he is confronted by the author in his pajamas and robe and who is at once child-like and dour. The older man avoids Peter’s suggestion that they work and instead bounces from nonsensical bantering to fleeting anger to disdain for Peter’s book. Frustrated, Peter tries various ploys to settle Simon down. The day finishes in a detente. Over the next several weeks the young man journeys to the country and then decides to spend his week’s vacation there urging and assisting Simon to finish his book.