Larry Kirwan (right) and Black 47
Interview and story by Don Wilcock
Photograph by Kirsten Ferguson
Facing death straight in the eye clears one’s head in a heartbeat. If it’s the possible death of your child, the focus is even sharper. “You think, holy shit, you make a wrong move, and your kids are gonna die. That’s a big one,” says Larry Kirwan, leader of the Celtic rock band Black 47 performing Saturday afternoon at the 18th annual Irish 2000 Festival of Music & Arts at the Saratoga County Fairgrounds in Ballston Spa.
Black 47 takes its name from the worst year of the Irish potato famine, 1847. Their instrumentation includes uillean pipes and bodhran, and they address issues relating to Irish as well as American politics. They are one of the few contemporary rock bands that don’t blink when it comes to the politics of war. “When we were doing the Iraq album and playing it during the war, we’d do a lot of colleges or a certain amount of them during the course of the year and for three years, 2003 to 2006, it was a nightmare in bars and everything. Even colleges didn’t give a fuck (as long as) they could dance to it. They really didn’t.
“The only way I used to get a rise out of them is I’d off-handedly say, ‘I’m sorry, but the draft is coming back in this afternoon. It’s gonna be tough on you guys.’ Then I’d go into the next song. And this rumor would spread through the crowd. It was wildfire. It was like everyone was listening to what you were gonna say on the next song.”
Black 47’s core audience includes those men and women who choose the military as an occupation at a time when facing death is a gamble they feel is worth the effort in a world of limited life options. Kirwan is not a war monger, but he separates his judgments towards our fighting men and women from those about politicians who make the decisions to go to war.