Posts Tagged ‘Andrzej Pilarczyk’

LIVE: Mary Lambert @ the Massry Center for the Arts, 10/17/14

Wednesday, November 12th, 2014

MaryLambert2

Review by Greg Haymes
Photographs by Andrzej Pilarczyk

It’s difficult, if not impossible, to imagine anyone walking out at the end of a Mary Lambert concert and not feeling oh-so-much better than when they walked in. Just ask anyone who was fortunate enough catch her Albany concert debut last month at the College of Saint Rose’s Massry Center for the Arts

Lambert is a total charmer. She’s like your best friend that you’re just meeting for the first time – thoroughly engaging, outspoken, honest, a bit naughty and seemingly without any governor on her mouth, as though she’s willing and eager to share out-loud whatever thoughts pop into her head – sometimes wildly witty, sometimes deadly earnest, sometimes completely silly. And that’s just her between-song patter.

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LIVE: The Hello Strangers @ The Linda, 10/10/14

Tuesday, November 11th, 2014

The Hello Strangers @ The Linda, 10/10/14

Photographs by Andrzej Pilarczyk

Straight outta Mercersburg, Pennsylvania, the Hello Strangers rode into Nippertown last month for their Albany debut at The Linda. Following a smart opening set by Rebel Darling, the sisters Brechyn Chace (vocals, tambourine, harmonica, accordion) and Larissa Chace Smith (vocals, guitar) stepped up to the microphone and led their band through a twang-filled set of “bona fide Americana,” as they call it. From heartbreaking tear-in-your-beer ballads to rousing roadhouse honky tonkin’, the gals wove their sublime sibling harmonies into a web that entranced the crowd from start to finish.

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LIVE: The Pine Hill Project: Lucy Kaplansky & Richard Shindell @ The Egg, 11/7/14

Monday, November 10th, 2014
Richard Shindell and Lucy Kaplansky

Richard Shindell and Lucy Kaplansky

Review by Greg Haymes
Photographs by Andrzej Pilarczyk

Take two A-list solo singer-songwriters in the folk tradition. Pair them up with a master multi-instrumentalist/producer. Back them up with a crack rhythm section. And have them serve up an evening of their favorite songs, both originals and a wide swath of cover tunes.

It sounds like the recipe for a best-concerts-of-the-year-list contender, doesn’t it? Unfortunately, last weekend’s Albany debut of the new Pine Hill Project – featuring folk stars Richard Shindell and Lucy Kaplansky – rarely caught fire. Their performance at The Egg was simply too tentative. Considering that it was only their third tour-stop, maybe that was to be expected.

Kaplansky and Shindell have been friends for 25 years, and for nearly all of that time, they’ve talked about making an album of duets. Earlier this year, after a successful fan-funded Kickstarter campaign, they finally made the album, Tomorrow You’re Going, a collection of songs by other songwriters who they admire. And although the album isn’t slated for release for another four months, they’ve hit the road to offer fans a preview.

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LIVE: Habana Sax @ The Egg, 10/17/14

Friday, November 7th, 2014

Habana Sax

Photographs by Andrzej Pilarczyk

Q: What do you get when you put four wailin’ saxophonists in front of a dynamo drummer?
A: A damn good time!

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LIVE: Southside Johnny & the Asbury Jukes @ The Egg, 10/18/14

Tuesday, November 4th, 2014

 Southside Johnny & the Asbury Jukes

Photographs by Andrzej Pilarczyk

Southside Johnny & the Asbury Jukes played a rollickin’ two-hour show at The Egg in Albany last month, and although the theater wasn’t sold-out, those in attendance were definitely “havin’ a party.”

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LIVE: Primus @ The Palace Theatre, 10/24/14

Thursday, October 30th, 2014

Primus

Review by B. Patrik
Photographs by Andrzej Pilarczyk

Primus playing the entire soundtrack to “Willy Wonka and the Chocolate Factory” sounds like a match made in heaven.

And for the most part, it was at Albany’s Palace Theatre last Friday (October 24). Before a sold-out crowd of excitable diehards, the band’s original line-up tore through every song from the 1971 Roald Dahl adaptation, which doubles as their reunion album released Tuesday, “Primus and the Chocolate Factory With the Fungi Ensemble.”

What makes the pairing work is the film’s and band’s shared penchant for weird. “Willy Wonka,” which stars Gene Wilder in the title role, is a tonally faithful (though not scene-for-scene) translation of Dahl’s whimsical-yet-dark children’s classic “Charlie and the Chocolate Factory,” in which five children visit a magical chocolate factory and each but poverty-stricken main character Charlie Bucket befalls a grave “accident” related to his or her vice. It’s a colorful, near-psychedelic film, especially the second half when the action in the factory starts, but when the basic plot is laid out, it almost sounds like a horror movie. Moments in the film are downright terrifying to a seven-year-old (the tunnel scene, in particular, comes to mind).

Primus, formed by bassist and lead howler Les Claypool in 1984 and solidifying around guitarist Larry “Ler” LaLonde and drummer Tim “Herb” Alexander in 1989, spent the ’90s mixing rubbery yet sinister funk and hard rock riffs, monster bass lines and Claypool’s oft-hilarious, faux-Southern accented rants. It’s a sound that is truly all the band’s own, and one that lends itself well to the creepier and more psychedelic moments of the Wonka story, especially Wilder’s big solo from the film “Pure Imagination,” and the aforementioned “Semi-Wondrous Boat Ride.” Live, assisted by Wonka costumes, video screens, a mushroom-festooned set and the Fungi Ensemble – percussionist Mike Dillon and cellist Sam Bass – the band upped the trippy quotient of Dahl’s story, creating a musical and visual carnival onstage.

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LIVE: Robin Trower @ The Egg, 10/21/14

Tuesday, October 28th, 2014
Robin Trower

Robin Trower

Review and photographs by Andrzej Pilarczyk

Robin Trower isn’t the “British Jimi Hendrix.” He’s his own man. He derived his distinctive guitar sound on his own. Yes, there were early influences; but who alone without influence has created something, anything, on their very own? Very few, if any.

In the jazz world the credit always goes to Charlie Parker for creating the “modern jazz sound.” However, not many know that Sonny Stitt was mining the same avenues of jazz progressions, chords and music as “Bird” did before the sound became mainstream. When the public caught on – slowly at first – to the be-bop message of Parker and his cohorts, Stitt was left holding the bag and pointing to several recordings of his that had evolved that sound during the same time, if not earlier, then Charlie Parker did. Stitt is now practically forgotten, but Parker’s inventive legacy lives on.

The same goes for Robin Trower…

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LIVE: TriBeCaStan @ The Linda, 10/11/14

Monday, October 20th, 2014

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Review by J Hunter
Photographs by Andrzej Pilarczyk

If you want to set off one of my more epic rants, come at me with that old saw about “Smallbany” (“Oh, there’s NOTHING happening here…”), and then step back a few feet so you can watch me turn into the Tasmanian Devil without getting caught in the shock wave. It doesn’t take a lot of looking around to see the wealth of cultural goodness that’s coming to this area on a regular basis; I just wish more people had looked long enough to see TriBeCaStan was playing The Linda, because this eye-crossing music needs to be experienced.

“It’s great to be in Albania!” TriBeCaStan leader/multi-instrumentalist John Kruth enthused in a Borat-quality accent. Then he added drily, “We thought there might be more people in Albania…” The crowd may have been small, but their fervor for what this mammoth group dished out started big and grew exponentially. And I do mean mammoth, both in size and sound: A septet can put a pretty decent strain on The Linda’s limited stage space, and there were so many instruments and amplifiers stuffed onto that space, emcee Michael Eck had to play his opening solo-acoustic set on the floor in front of the stage. Mind you, most of those instruments were only played by two people – Kruth and his partner-in-madness Jeff Greene – but trust me, they all played a part in what I believe is a completely new genre: BIZARRO World Music!

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