The Moody Blues
Review by Don Wilcock
Photographs by Andrzej Pilarczyk
Of all the rock legends from the ’60s still performing, the Moody Blues are the best at stopping time. Justin Hayward’s lyrics are inspired by the romantic British poetry of Byron, Keats and Shelley blended with classical music buoyed by Hayward’s perfectly executed rock guitar that, if anything, has more edge than it did back in 1967. It’s a sumptuous and lush sound that made the band the most blatantly British of a cadre of rockers, the rest of whom were selling American roots music back to the colonies half a century ago.
At Monday night’s Saratoga Performing Arts Center performance, drummer Graeme Edge announced that the band had just celebrated their 50th anniversary the night before. They ended their first set with one of their newest songs, “I Know You’re Out There Somewhere,” a mid-’80s hit. They built their second hour-long set around ever more familiar waves of hits that included “Isn’t Life Strange” from Seventh Sojourn; their first American hit from Days of Future Passed, “Tuesday Afternoon;” “Higher and Higher” with Edge on vocal from To Our Children’s Children’s Children; “Singer in a Rock and Roll Band” from Seventh Sojourn; and they encored with “Ride My See Saw” from In Search of a Lost Chord. Most songs prompted repeated standing ovations from a crowd of all ages, and they closed with their signature song “Nights in White Satin” from the 1967 breakout album Days of Future Passed.