Posts Tagged ‘Andrzej Pilarczyk’

LIVE: Gladys Knight @ Proctors, 5/4/12

Monday, May 14th, 2012
Glady Knight

Review and photographs by Andrzej Pilarczyk

No doubt about it, Gladys Knight gave tons of love to the audience at Proctors in Schenectady last Friday night, and they gave it right back to her… tenfold!

For this amazing lady of song – undeniably an American musical icon – Knight looked gorgeous when she stepped out on stage and took a bow to a house-wide standing ovation. Everybody there knew they were in the presence of musical royalty. And they were ecstatic to be her loyal listening subjects for the night.

Kicking off her set with “The Nitty Gritty,” Knight glided effortlessly along the front of the stage and sang with the verve and passion of a woman half her age.

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John Sebastian, What Was the First Album You Ever Bought?

Monday, May 14th, 2012
John Sebastian

John Sebastian

“Well, let’s see… You know what’s funny? The first 33 RPM record that I bought, I still have not been able to locate because I don’t remember what it was called or who the artists were. It was a jazz album. It was a kind of a cool jazz album that I bought – maybe I was 13 or 14 years old – and I thought it was very kind of beatnik-y.

Things really started to click for me when I heard `Folsolm Prison Blues’ and tried to find a copy of it. This was when I realized that more than one person can cut the same song. And that the version that I found wasn’t the cool version that I’d heard by Johnny Cash. It was by the Fendermen, instead. And that was a good lesson to learn.

But I’d have to say, though, that what moved me earliest was people like Josh White and Harry Belafonte, who kind of led the way into folk music for me.”

Veteran singer-songwriter and Rock and Roll Hall of Famer John Sebastian is lending his musical talents to the “New Yorkers Against Fracking: An Urgent Call to Action” benefit concert at The Egg in Albany at 7pm on Tuesday (May 15). Other musicians slated to perform at the all-star event include Medeski, Martin & Wood, Natalie Merchant, Citizen Cope, the Felice Brothers, Joan Osborne, Tracy Bonham, Toshi Reagon, Dan Zanes, Ida, the Horse Flies, Tamar-Kali, Carl Hancock-Rux, Meshell Ndegeocello, Marc Anthony Thompson and the Ahkwesasne Women Singers. Award winning actors Mark Ruffalo and Melissa Leo will co-emcee the concert. Tix are $40 and $150.

LIVE: “A Celebration of the Saxophone in Jazz” @ Proctors’ Robb Alley, 4/15/12

Thursday, May 10th, 2012
Leo Russo

Lee Russo

Review and photographs by Andrzej Pilarczyk

It’s not that other instruments don’t play jazz, but it is the saxophone that almost single-handedly typifies jazz music to the public at large.

This time out the Schenectady Musical Union in partnership with the Schenectady County Initiative Program presented the sixth annual Jazz Appreciation Month concert, “A Celebration of the Saxophone in Jazz,” on a quiet Sunday afternoon at Proctors’ Robb Alley.

Featuring some of the very best and most talented regional saxophonists (and their groups), the event drew more then 300 people during its four-hour run from 3-7pm.

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LIVE: Big Head Todd & the Monsters @ The Egg, 5/4/12

Thursday, May 10th, 2012
Todd Park Mohr

Todd Park Mohr

Review and photographs by Andrzej Pilarczyk

In the blues world, Big Head Todd & the Monsters occupy the same similar musical tier as George Thorogood & the Destroyers.

The purists say that their music isn’t the “blues,” but the truth is, that for many of the twenty- or thirty-somethings who filled the seats last Friday night at the Hart Theater in The Egg, it’s as close to the “blues” as they’ll ever get in their concert-going experience or listening preferences.

And that’s OK…

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LIVE: Joseph Bowie/Adam Rudolph Duo @ the Sanctuary for Independent Media, 3/20/12

Monday, May 7th, 2012
 Joseph Bowie and Adam Rudolph

Review and photographs by Andrzej Pilarczyk

Jazz experimental percussionist Adam Rudolph has played Troy’s Sanctuary for Independent Media before, albeit within the context of his larger group. But this time out, his lone partner in free-form musical expression was uber-trombonist Joseph Bowie.

On the former church’s red-carpeted stage, under the glare of the studio-type lights, Rudolph and Bowie created a two-set sound tapestry that wove dissonant and atonal notes into a wide-ranging and dynamic compositional fabric, etched with the occasional and fleeting melodic line.

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LIVE: Borromeo String Quartet @ The College of St. Rose’s Massry Center, 4/29/12

Thursday, May 3rd, 2012
 Borromeo String Quartet @ The Massry Center, 4/29/12

Review and photographs by Andrzej Pilarczyk

With some internationally acclaimed classical string quartets an individual musician’s instrumental voice sets the tone or rises – just a little bit – above the others in any given composition performed.

Listening to the Borromeo String Quartet within the marvellous acoustic space of the College of Saint Rose’s Picotte Recital Hall, I realized very quickly that that is not the case with this stellar foursome.

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LIVE: Strunz & Farah @ Troy Savings Bank Music Hall, 4/15/12

Tuesday, May 1st, 2012
Ardeshir Farah & Jorge Strunz

Ardeshir Farah & Jorge Strunz

Review and photographs by Andrzej Pilarczyk

The internationally acclaimed acoustic guitar-duo of Strunz & Farah have been performing and recording on the world-music scene since 1980.

That mild and rain-free Sunday evening, in the confines of the acoustic marvel that is the Troy Savings Bank Music Hall, Costa Rican-born Jorge Strunz and Persian-born Ardeshir Farah unleashed a fiery and sizzling set of their original compositions.

Filled with break-neck improvisational runs and melodic interludes, their compositions run a global gamut of musical forms. Gypsy jazz, flamenco, Latin-American classical and popular music, Middle Eastern rhythms and Caribbean Afro-Cuban beats all flew off the stage into the audience and up to the balconies, song after song.

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LIVE: “Opera… From a Sistah’s Point of View” @ Skidmore College’s Zankel Music Center, 4/5/12

Monday, April 30th, 2012
Angela Brown

Review and photographs by Andrzej Pilarczyk

“I’ve travelled all around the world doing this (singing opera) and found out that most White people hate opera just as much as Black people do,” stated soprano Angela Brown, tongue-in-cheek.

Presenting “Opera… from a Sistah’s Point of View,” Brown’s mix of arias and conversation was ever so engaging and sometimes knee-slapping humorous when speaking to the large audience that Thursday night.

However, it was when Brown let loose with her powerfully crystal clear voice that there was no doubt that a great artist was performing in the house. Her dynamic vocal control effortlessly flew between quiet valleys and gargantuan mountains full of grace and beauty.

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