Review by J Hunter
Photographs by Rudy Lu
“The soundman said, ‘Can your voice go lower than mine?’” Alexis P. Suter told the totally rapt crowd at The Linda in Albany. Then she did something truly amazing: She lowered her voice! “I don’t know… Maybe?”
You have to understand: This Brooklyn-born blueswoman wields a bass/baritone that would send most opera singers scurrying into the nearest corner so they could cower better. You can’t compare Suter to contemporaries like Shemekia Copeland or Katie Webster, and even the late great Koko Taylor couldn’t match Suter’s lower range. The closest comparison would be to John Lee Hooker, another long-gone blues legend. But you pair up that range with the muscle-car power and unyielding control Suter puts behind her vocals, and the results are so unbelievably good, you just have to hold your head.
With her big top hat and all-black Moshood Creations outfit, Suter resembled an executioner as she slowly stepped onstage after her band’s opening instrumental number. The temptation to say she slayed us with her towering version of “Didn’t It Rain” is way too huge, but the fact is that anyone who hadn’t been exposed to the combination of Suter’s singular vocals and her death-defying back-up band got nailed to the wall like a butterfly in an entomologist’s lab. I know my jaw was on the floor during Suter’s awesome re-telling of The Flood, and it stayed there for most of the first four numbers.