Posts Tagged ‘Albany’

ArtBeat: Mohawk Hudson Regional Invitational @ Albany Center Gallery [Get Visual]

Wednesday, May 4th, 2016
Four very diverse artists are in this year's Mohawk Hudson Regional Invitational at ACG

Four very diverse artists are in this year’s Mohawk Hudson Regional Invitational at ACG

By David Brickman

One of the best shows each year at Albany Center Gallery is the annual invitational drawn from the Mohawk Hudson Regional. It’s a cool idea we don’t see often enough: Gallery representatives visit the big juried show and make notes on whose work they’d like to see more of, then ACG organizes an exhibition of those select picks.

This year’s MHRI at ACG includes four very diverse artists in terms of medium, style – even age – and that’s a good thing. As I am one of the gallery’s board members and the chair of the exhibits committee, I was involved in the selection process – so this won’t be a review. Instead, I will simply recommend the show and suggest you include it in your 1st Friday plans on May 6, when the artists’ reception will be held from 5 pm to 8 pm.

Click to read the rest at Get Visual.


TONIGHT: Ellen Sinopoli Dance Company Celebrates 25th Anniversary @ The Egg [Berkshire on Stage]

Friday, April 29th, 2016
Ellen Sinopoli Dance Company (photo: Gary Gold)

Ellen Sinopoli Dance Company (photo: Gary Gold)

In celebration of its 25th performance season, the Ellen Sinopoli Dance Company performs at The Egg’s Hart Theatre at 8pm tonight (Friday, April 29) in a program that will feature the premiere of Tumble, set to the music of Terry Riley, written for four hands on one piano. The evening will begin with a 7:15pm prelude talk given by Artistic Director Ellen Sinopoli.

The remainder of the program will feature a retrospective of ESDC’s most popular works from the last 25 years:

Sandungera – This dance revels in the groove, sensuality and rhythm of Latin jazz and Cuban music.

Rising Low – With blues and country music, this dance tells a poignant tale of loss and loneliness.

Becoming – Based on a Rainer Maria Rilke poem, this dance for a solo female pulsates with longing, questioning and beauty to Zoe B. Zak’s music for voice and accordion that brings a captivating combination of tonalities that are tied to her Jewish-American roots.

Click to read the rest at Berkshire on Stage.

New Concert Announced for the Times Union Center

Tuesday, April 19th, 2016

The faux rivalry between “arch-enemy” rival coaches Adam Levine and Blake Shelton on “The Voice” has grown wearisome, as the celebrities overshadow the competing talent. But Albany’s Times Union Center is shaping up to be real battle ground.

More than five months ago (that’s way back in November), we announced that Levine’s pop group Maroon 5 would be rolling into Albany’s downtown arena on Saturday, November 21. Now, Blake Shelton’s website has announced that the country music star is slated to land at the same venue just a week later on Thursday, September 29. (There’s been no official word about the concert yet from the Times Union Center.)

So who’s going to draw more fans? Or is the real question, “Who’s going to make more money?”

One thing we know from Shelton’s website is that the Premium Blake Shelton VIP Experience tickets to the concert are $469 … and that doesn’t – repeat, does not – include a meet-and-greet with Shelton.

Stay tuned for additional ticket info as it becomes available…

UPDATED 4/25: Priced at $39.75, $69.75 & $89.75, tickets for the concert are slated to go on sale to the general public at 10am on Friday (April 29).

50 Theater Artists + 24 Hours = Five New Plays @ UAlbany PAC [Berkshire on Stage]

Thursday, March 31st, 2016
Theatre Project in 2012: Alexia Trainor, Tony Pallone, and Erin Ouellette. Photo by Enrico Spada

Theatre Project in 2012: Alexia Trainor, Tony Pallone and Erin Ouellette. Photo by Enrico Spada

The UAlbany Performing Arts Center is hosting the 24 Hour Theatre Project at 7:30pm on Saturday (April 2). Presented in collaboration with WAM Theatre and in conjunction with the NYS Writers Institute, the event boasts the best in theater talent from across Greater Nippertown. Given just 24 hours to write, rehearse and perform five new plays, the project combines the spontaneous creativity of improvisational theatre with the rigorous professionalism and production value of scripted theater.

After a two-year hiatus, this fast-paced, adrenaline-packed event is back. Sponsored for three years by WAM Theatre and MopCo, the event has taken place previously at the Arts Center of the Capital Region in Troy (2011), Shakespeare and Company’s Bernstein Theatre in Lenox (2012) and the John Sayles School of Fine Arts in Schenectady (2013). The UAlbany Performing Arts Center is this year’s host and will welcome all 50 participants on Friday (April 1) to kick off the event. Playwrights will spend the overnight hours creating new work which will be delivered to directors, actors and designers at 8am on Saturday morning leaving them less than 12 hours to rehearse before the 7:30pm curtain.

Click to read the rest at Berkshire on Stage.

Kate Teale: “The Housed” @ Opalka Gallery [Get Visual]

Wednesday, February 24th, 2016
Kate Teale:: (left) Raft 2009; (right) Floating World 2010

Kate Teale:: (left) Raft 2009; (right) Floating World 2010

Review by David Brickman

While lovers enjoyed flowers and chocolates on Valentine’s weekend, I’ve got a different suggestion for lovers of art: good ol’ drawing and painting. In a world overstuffed with postmodernist theorists, it’s a tonic to walk into Sage College of Albany’s Opalka Gallery and see graphite on paper and oils on board by the extremely talented Kate Teale, an English artist now established in New York City, who should be a household name, but was a new discovery for me.

Teale’s exhibition of six graphite drawings and 18 oil paintings, titled The Housed, was curated by Don Desmett at Western Michigan University in Kalamazoo and is on tour. It also includes a couple of extremely long (about 30-foot) digital prints from original drawings and a large direct-wall drawing that was executed on-site with student help. The installation suits the high, open space of the Opalka perfectly, allowing the larger works and groupings to breathe, while melding into a cohesive whole that the viewer can digest in reasonable bites.

Teale’s style and technique border on photo-realism; however, she also flirts with formal abstraction, as she explores her subjects of rumpled beds, seascapes, windows and the human form nearly as dispassionately as a scientist studies a lab rat. Not that the work is cold – in fact, it feels intensely personal – but that Teale takes the position of an outsider looking in at herself and her intimate surroundings.

Click to read the rest at Get Visual

Celebrating the Work of Zora Neale Hurston [Berkshire on Stage]

Tuesday, January 26th, 2016

Zora Neale Hurston fascinates us for many reasons, not the least of which is that she is claimed as part of LGBTQ history. As was common in that era, this basic identity was masked and hidden, and both scholars and journalists are hesitant to make the claim outright for lack of specific attribution. Nevertheless, one only needs to read her work, her hilarious portrait of men and unsparing depiction of the foibles of life as a minority to sense that this was no ordinary daughter of a Baptist minister, but an authentic and rebellious voice that rarely held back. Still it seems the one inhibition she could not overcome was revealing her own basic identity. To me, it is and has always been there, between the lines, for those who know how to parse the truth from literary obfuscation. – Larry Murray

The UAlbany Performing Arts Center and the NYS Writers Institute are pleased to present Eyes on Zora: The Life and Legacy of Zora Neale Hurston, a series of events focusing on the life and work of one of the most important and celebrated figures to emerge from the Harlem Renaissance. Outspoken, spirited and gifted, Hurston (1891-1960) was an anthropologist but is more identified and well-known as a prolific writer, her books defining the black American experience. Famous for her vivacious and unapologetic personality, Hurston wrote works of fiction and folklore which drove forward both the Harlem Renaissance and the Civil Rights movement.

Ushering in February’s Black History Month, public events take place beginning on Friday (January 29) in various locations both on and beyond the University at Albany campus. The schedule includes:

Click to read the rest at Berkshire on Stage.

ArtBeat: “Folk Modern” @ Albany International Airport Gallery [Get Visual]

Friday, January 22nd, 2016
Installation of found-object assemblages by Jack Metzger, 2006-2015 (photo: Arthur Evans)

Installation of found-object assemblages by Jack Metzger, 2006-2015 (photo: Arthur Evans)

Review by David Brickman

The creative process can be deceptively simple, but I find exposure to it is almost always uplifting. There’s a delight in seeing how a person, whatever their flaws, can draw from within themselves the strength, imagination, and skill to produce something new and wonderful to behold.

Folk Modern, the current exhibition at Albany International Airport Gallery (on view through Sunday, May 8), explores how eight regional makers (perhaps a better word in this case than “artists”) have delved into that creative impulse and, as such, is a celebration of it. Emblematic of the special qualities of this process is the work of Jack Metzger (pictured at the top of this post), a shop owner who seems to just really like to collect odd, old stuff and mess around with it. His installation in the show reveals a discerning eye, a sense of wit and a reverence for the integrity of a good, mysterious object. It’s also great fun.

The mounted text that introduces the show makes the point that “the wall between folk and fine art has been crumbling for some time, and inhabitants of both sides have been finding much common ground.” Indeed, one would honestly have to admit that, without peeking first at a resume, there’s no way to tell which of these people is on which side of that fading divide.

Click to read the rest at Get Visual.

LIVE: The Tedeschi Trucks Band @ The Egg, 12/8/15

Wednesday, December 30th, 2015
The Tedeschi Trucks Band

The Tedeschi Trucks Band

Review by Steven Stock
Photographs by Andrzej Pilarczyk

The twelve-piece Tedeschi Trucks Band ventured through a lot of territory in their well-received two-hour performance at The Egg’s Hart Theatre, covering songs made popular by Betty Harris, Bobby “Blue” Bland, the Box Tops, George Harrison and John Prine before sending everyone home happy with a rollicking version of the Coasters’ (or perhaps you prefer Ray Charles’ rendition?) nugget “Let’s Go Get Stoned.”

That disparate range of influences only begins to suggest this ensemble’s versatility. “Don’t Miss Me,” a rare carryover from the Derek Trucks Band repertoire, began as a conventional blues then suddenly veered left into Trout Mask Replica terrain. With three horns (saxophone, trumpet and trombone) and three backing vocalists, the overall sound of the group resembled an updated version of the Stax/Volt sound crossed with Joe Cocker’s early-’70 Mad Dogs & Englishmen. Cocker more or less poached the Mad Dogs from Leon Russell, but that didn’t prevent Russell (along with compatriots Rita Coolidge and Dave Mason) from joining Tedeschi Trucks in paying tribute to Cocker’s band earlier this year at the Lockn’ Festival in Arrington, Virginia.

At The Egg, it was refreshing to witness two performers who built their sizable reputations as superb guitarists subordinate their egos to work effectively in a big-band context. On the lengthy coda to “I Want More,” Derek Trucks did get his licks in while engaging in lovely dialogue with Kofi Burbridge’s flute, a passage evocative of Traffic at its finest.


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