Posts Tagged ‘Larry Murray’

Tanglewood Copies Mass MoCA: To Screen “West Side Story” with BSO Playing Bernstein’s Score [Berkshire on Stage]

Monday, June 17th, 2013
The screen in Tanglewood’s Music Shed rivals that of most movie theatres.

The screen in Tanglewood’s Music Shed rivals that of most movie theatres.

By Larry Murray

When it comes to the Berkshires, change comes slowly, and most of our rural sophisticates eschew outright one-upmanship but there seems to be a subtle, and wonderful, rivalry developing between the BSO’s Tanglewood and Mass MoCA.

Before Wilco became the highlight of the Mass MoCA summer, they played at Tanglewood’s shed, with the ushers getting all upset when some attendees started dancing in the aisles. Mass MoCA welcomed the energetic rockers to their campus, and it has morphed into the fabulously successful Solid Sound Festival. I estimate, with a near capacity audience of 9,000 or so, that it is a million dollar operation this year. Let ‘em dance anywhere they want!

Then there is Mass MoCA’s “Banglewood” festival each year when the Bang on a Can gang takes up residence at the museum to create dozens of new contemporary works while looking back at their greatest “hits” and offering an all-you-can-hear Musical Marathon. This year it takes place from July 15 to August 3. At Tanglewood, there has long been an important Contemporary Music Festival, this year August 8-12 and led by Pierre-Laurent Aimard, but it is older and some think too far off in twelve-tone belch-and-squawk land compared to the more rhythmic and melodic doin’s at Mass MoCA.

Click to read the rest at Berkshire on Stage.

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Annette Miller Finds the Humanity Behind Maria Callas in “Master Class” at Shakespeare & Company [Berkshire on Stage]

Friday, June 14th, 2013
Annette Miller as Maria Callas. (photo: Kevin Sprague)

Annette Miller as Maria Callas. (photo: Kevin Sprague)

Review by Gail M. Burns and Larry Murray

Gail M. Burns: I am not an opera buff like you, but you cannot lead a culturally literate life and not have heard of Maria Callas (1923-1977). Nor can you be a theatre geek and not have heard of Terrence McNally’s 1996 Tony winner Master Class.

At first my concern was that it would be an uncomfortable play, in which Callas, presented here during the master classes in voice that she taught at Juiliard in 1970 and 1971, towards the end of her astonishing life and career, eviscerated her students while wallowing in her own past miseries. I was wrong on both counts. Callas is portrayed as a diva, but a human one, and the side trips into her personal and artistic experiences are illuminating.

Larry Murray: It’s not even the tip of an iceberg, it’s just one chip of her amazing life portrayed by a fabulous Annette Miller. I learned a lot, too. Somehow it escaped me that Maria Callas was born in America of Greek parents and died in Paris at age 53. Her heart just gave out. In that brief half century, she lived a life filled with controversy, became a legend, and is now almost a myth. Terrence McNally’s play barely touches on more than a few moments of her life, there is enough material there for a theatrical franchise. In fact McNally wrote The Lisbon Traviata about her performances there in 1958. So far that makes two days of her life that have been dramatized.

Watching the play, we see two hours of her life as interpreted by Annette Miller and the experience was spellbinding.

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First Look: These “Heroes” Get the Last Laugh at Shakespeare & Company [Berkshire on Stage]

Thursday, June 13th, 2013
(l to r) Malcolm Ingram, Robert Lohbauer and Jonathan Epstein are our Heroes. Each of the men — Henri, Gustave and Philippe — thinks the other two are crazy, and each may be right. (photo: Kevin Sprague)

(l to r) Malcolm Ingram, Robert Lohbauer and Jonathan Epstein are our Heroes. Each of the men — Henri, Gustave and Philippe — thinks the other two are crazy, and each may be right.
(photo: Kevin Sprague)

By Larry Murray

Heroes is a simple play that requires absolutely perfect timing for its wealth of one-liners, French bon mots that have been translated by Tom Stoppard into snappy English retorts and now, at Shakespeare & Company it is almost guaranteed that you will see these comic bits churned into comedic sausage right before you eyes. With direction by Kevin Coleman and a first rate cast, this will be an intellectual sit-com for the sophisticated Lenox audiences that adore the company as much for its crazy comedies as for its erudite Shakespeare. No other company has ShakesCo’s masterful command of the pause, the double-take, the tossed-off comment and the pointed glance — techniques that will allow them to savor the play’s every spicy note.

Winner of the Laurence Olivier Award for Best New Comedy, Heroes is the irreverent and poignant story of three World War I veterans confined to a retirement home in their twilight years. The year is 1953, and Gustave, Philippe and Henri have seen more exciting days. They amuse themselves with nostalgic anecdotes, provocative gossip, and generally irritating one another. But life in the French countryside proves to be a bit too calm, and the three war veterans begin to plot their escape. Together, they contrive what might be their last epic adventure.

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Review: “My One and Only” Is a Crazy Big, Tap-Happy, Musical in Cohoes, NY [Berkshire on Stage]

Wednesday, June 12th, 2013

Nicky Romaniello (l) as Captain Billy Buck Chandler and Erin West (r) as Edythe Herbert in My One and Only at Cohoes Music Hall. Photos by Marilyn Rose

Nicky Romaniello (l) as Captain Billy Buck Chandler and Erin West (r) as Edythe Herbert in My One and Only at Cohoes Music Hall. Photos by Marilyn Rose


Review by Gail M. Burns and Larry Murray

GAIL BURNS: Well, Larry, My One and Only (MOAO) is one big, tap-happy treat at Cohoes. I had a bundle of fun!

LARRY MURRAY: There is both so much fun, and a sort of righteousness that goes with being able to make so much noise with your feet! What did you think when you first saw MOAO on the Cohoes schedule? Did the old theatre buff in you say: ”hooray and about time”?

GAIL: I was excited to have another chance to see this “all-new” Gershwin musical, which I’d seen on Broadway in 1983, with Tommy Tune and Twiggy in the leads. And I was surprised to realize it had taken me 30 years to have a second chance at it. I had very happy memories of my first encounter.

LARRY: Well so do I, Gail, I saw it in its pre-Broadway run in Boston and enjoyed it very much, but we saw very different shows.

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Preview of “On the Town”: Barrington Stage Brings Back the Real Musical with a Hot Cast, Director, Choreographer [Berkshire on Stage]

Tuesday, June 11th, 2013
Casting has been announced and Tony Yazbeck will play Gabey, one of the three sailors who go “On The Town.”

Casting has been announced and Tony Yazbeck will play Gabey, one of the three sailors who go “On The Town.”

Story by Larry Murray

You want great music and dancing? Well, this is your chance. With casting for On the Town just announced by Julianne Boyd, Artistic Director, and Tristan Wilson, Managing Director, it’s time to preview this great Bernstein/Comden/Green musical, which has the longest run of any Berkshire musical this summer – a full month from June 12 through July 13 on the Boyd-Quinson Mainstage, 30 Union Street, Pittsfield. The press opening is Sunday, June 16 at 5pm, and our review will follow within a day.

New York, New York, it’s a helluva score!

There’s a lot that makes this musical a must-see, starting from the simple fact that if you have seen the movie with Frank Sinatra and Gene Kelly and think what is on the stage is the same show, you will be surprised. It’s almost completely different, and it is better. That’s because the score as written by the great Leonard Bernstein at the very beginning of his career is 90% different on stage than it is in the movie. Here’s why, from the original writers of the book and lyrics:

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The Berkshires Await Audra McDonald’s Appearance June 15 at the Colonial Theatre in Pittsfield [Berkshire on Stage]

Monday, June 10th, 2013

Pittsfield, MA: Audra McDonald’s greatest gift is to find the story inside the song and deliver it with immediacy and clarity. The popular artist will make her only Berkshire solo performance on June 15 at 8pm at the Colonial Theatre accompanied by pianist Andy Einhorn. The five-time Tony Award-winner is expected to include songs from her new solo recording for Nonesuch, Go Back Home, as well as some of her other personal favorites.

Audra McDonald is unparalleled in the breadth and versatility of her artistry as both a singer and an actress. With five Tony Awards®, two Grammy Awards®, and a long list of other accolades to her name, she is among today’s most highly regarded performers. Blessed with a luminous soprano and an incomparable gift for dramatic truth-telling, she is equally at home on Broadway and opera stages as in roles on film and television. In addition to her theatrical work, she maintains a major career as a concert and recording artist, regularly appearing on the great stages of the world.

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Berkshire on Stage Picks the Twelve Must-See Shows of Summer 2013 [Berkshire on Stage]

Friday, June 7th, 2013
Twelve Shows You Must See During the Summer of 2013

Twelve Shows You Must See During the Summer of 2013

by Gail M. Burns and Larry Murray

Everyone wants a perfect night out, and we’ve come up with twelve of them. Looking over the choices, 2013 is going to be memorable theater-wise. You want diversity? The Berkshires will play host to some unusual characters, from the Marx Brothers to Young Frankenstein, who will be featured side by side with William Shakespeare, Edith Wharton and Bertolt Brecht. All invite both savvy locals and jaded New Yorkers to refresh their theatrical taste buds. Classics and new works get vigorous productions as new scripts vie with old chestnuts to dazzle and delight at night, even as the green landscape and blue skies imbue the days with wonder.

This list does not limit its choices to the four major Berkshire theater companies, or theater alone for that matter. Instead it extends its view well beyond the Berkshires so as to include a couple of hidden gems that join the better known crowd-pleasers. A confession: limiting the choice to just a dozen was almost impossible, so you will find others carefully nestled within the descriptions themselves.

“Animal Crackers” – Williamstown Theatre Festival

The Marx Brothers got their start in vaudeville and developed their distinct personas from the comic ethnic stereotypes of that genre. They then came to Broadway in 1925 to make a name for themselves in “legitimate” theater with “The Cocoanuts.” But it was a very different Broadway, and there was nothing “legitimate” about the Four Marx Brothers (Zeppo was still part of the act), who were true originals. The WTF is presenting a new adaptation of George S. Kaufman and Morrie Ryskind’s 1928 stage vehicle for the brothers, directed by Paul Wishcamper, (already a big hit at Chicago’s Goodman Theatre) on the Main Stage. Will we see actors pretending to be Groucho, Harpo, Chico, and Zeppo? Or will the performers put their own spin on classic lines such as: “One morning I shot an elephant in my pajamas. How he got in my pajamas, I don’t know.” (June 26-July 14) (Burns) http://www.wtfestival.org/

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No Kidding, Jim Breuer Is Bringing His Heavy Metal Family Man Show to the Colonial, June 6 [Berkshire on Stage]

Wednesday, June 5th, 2013

He may be a bit hazy and seem lost sometimes, but the always clever Jim Breuer of “Saturday Night Live” and the film Half Baked will find himself performing stand-up live at the Colonial Theatre on June 6, 2013 at 8pm. It should be quite a trip.

One of the most recognized comedians in the business, Jim Breuer was recently named one of Comedy Central’s “100 Greatest Stand-Ups of All Time.” Currently on tour with his highly successful Heavy Metal Family Man comedy show, Breuer can also be heard weekly on his Sirius/XM Radio show, “Fridays with Breuer.” He also just wrapped production on his new one-hour comedy special Mid Life Madness, slated to premiere early next year.

Click to read the rest at Berkshire on Stage.

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