Archive for the ‘CD Reviews’ Category

CD: Alkaline Trio’s “This Addiction”

Monday, March 8th, 2010

(Heart & Skull/Epittaph, 2010):

Chicago punksters Alkaline Trio have been banging around since 1997, although the current line-up (guitarist Matt Skiba, bassist Dan Andriano and drummer Derek Grant) has only been in place since 2003’s “Good Mourning” album.

Since then they racked up some major-label success (2008’s “Agony & Irony”), but now they’ve returned to indie status with a new album that balances a bit of the old spit ‘n’ fire of their punkier early discs with their more recent polished, punk-pop sound.

The album abounds with plenty of hooks, rousing sing-along choruses and chiming guitars – just the kind of thing to appeal to Green Day fans.

There’s nothing even vaguely groundbreaking here, but all 11 songs are solid and chugging. And there are just enough surprises – would you believe a trumpet solo in the middle of “Lead Poisoning”? – to keep the listener intrigued.

Alkaline Trio charges into Northern Lights in Clifton Park tonight. The show kicks off at 7:30pm with Cursive and the Dear and Departed. Tix are $20.

CD: Michael Eck’s “In My Shoes”

Friday, March 5th, 2010

(Mandala Hand, 2010):

Before he began banging around Nippertown with such bands as the Lost Radio Rounders and Ramblin Jug Stompers, singer-songwriter Michael Eck was a solo man-with-a-guitar-about-town, pumping out what he likes to describe as “maximum solo acoustic.”

But it’s been a full decade since the release of his last solo album, 2000’s “Small Town Blues” on the Dancing Druid Music label.

He comes roaring back with the new “In My Shoes,” a snappy collection of 11 original songs and a well-chosen cover of “Beyond the Blues” penned by the triumvirate of Peter Case, Bob Neuwirth and Tom Russell.

Unlike his previous solo efforts which usually featured a cast of prominent back-up musicians – “Small Town Blues,” for example, was bolstered by contributions by Rick Bedrosian, Sam Zucchini, Adrian Cohen, Jim Haggerty, Kevin Maul, Rosanne Raneri, MotherJudge and more – this time around, Eck is going it alone.

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CD: Danny Barnes’ “Pizza Box”

Thursday, March 4th, 2010

(ATO Records, 2010):

Full disclosure: I first fell in love with Danny Barnes‘ music years ago at the long-defunct Pauly’s Hotel when he was tearing up Metallica covers on clawhammer banjo.

That was back when he was leading his neo-old-timey band the Bad Livers (still one of the all-time great band names).

With his brand new album, Barnes is still rooted in the Americana trenches, but he fearlessly mashes up his roots sound with, well, whaddaya got?

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CD: Sirsy’s “BYOB: Collection B”

Thursday, March 4th, 2010

(Sirsy Music, 2010):

Let’s get this out of the way right at the start. Sirsy is a very popular band – they were voted Best Local Rock Band again in this week’s Metroland Readers’ Poll. They also don’t get the respect that they desrve from the local music hipster crowd. Probably because they’re so popular.

But the thing is that Melanie Krahmer and Rich Libutti are damn good. And if you need proof, pick up this new disc.

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CD: John Ellis & Double-Wide’s “Puppet Mischief”

Tuesday, March 2nd, 2010

(ObliqSound, 2010):

Saxman John Ellis is probably best known for his nearly six-year stint with guitarist Charlie Hunter. Last summer, Ellis commanded my attention when I saw him play with Texas jazz vocalist Kat Edmonson at the Tanglewood Jazz Weekend. But Double-Wide is a different animal altogether, not particularly akin to either of those projects.

First, there’s the rather unique line-up: In addition to Ellis on tenor sax and bass clarinet, the band features organist Brian Coogan, drummer Jason Marsalis and sousaphonist Matt Perrine. And the special guests who make impressive contributions to “Puppet Mischief” are trombonist Alan Ferber and harmonica virtuoso Gregoire Maret. Obviously not your typical jazz combo…
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This Week’s Hit Parade

Friday, February 19th, 2010

A quick rundown of what we’ve been listening to this week here at Nippertown.com headquarters:

1. Shutter Island (Music From The Motion Picture)” (2010, Rhino): Haven’t seen the film yet, but the soundtrack is oh so rich. Two CDs worth of great stuff by Ingram Marshall, John Adams, Krzysztof Penerecki, John Cage, Nam June Paik, Brian Eno, Gyorgy Ligeti, Morton Feldman and similar-minded sonic explorers. In a Hollywood blockbuster movie?!? Best of all is the closing mash-up of Max Richter’s instrumental “On the Nature of Daylight” and the haunting vocals of Dinah Washington’s “This Bitter Earth.” Soundtrack producer and music supervisor? Robbie Robertson.

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CD: Frank Jaklitsch’s “Some Hearts”

Wednesday, January 27th, 2010

(FrankJak.com, 2010):

Frank Jaklitsch is quite simply one of the most tireless and generous musicians on the Nippertown music scene. He’s back with his 13th album – that’s right, 13 – in 15 years, and it’s his best yet.

He cuts a wide swath with his song selection, from the pure pop of the Marshall Crenshaw title track to Tommy Sands’ Irish anthem “Your Daughters and Your Sons,” from Mary Chapin Carpenter’s poignant “This Shirt” to the inspiring Poco tune “Follow Your Dreams.”

Jaklitsch is backed up by local Celtic band the Fighting 86’s on a handful of these 16 tunes – Jaklitsch originals “Hope Lives” and “Penny Girl,” as well as the rousing traditional gospel blues “John the Revelator” and Luka Bloom’s “Hudson Lady” – and the 86’s fiddler Mark Frederick makes outstanding contributions throughout the disc.

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CD: David Malachowski’s “The Secret Life of Colonel David”

Thursday, January 21st, 2010

David Malachowski: The Secret Life of Colonel David(DavidMalachowski.com, 2010):

Woodstock’s David Malachowski is a guitarslinger.

He’s toured all over the country making his fretboard magic with folks like roadhouse honky-tonkers Commander Cody & the Lost Planet Airmen, British blues pioneers Savoy Brown, old-school country singer Janie Frickie, the Band’s Garth Hudson and a little Canadian singer named Shania Twain.

In addition, he’s been a longtime regular on the Nippertown music scene, playing with – among others – blues legend Ernie Williams, alt-country combo Mechanical Bull, popster Greg Kroll and the short-lived but potent rock supergroup Nobody – which also featured J.J. Hogan (Bloom), Chris Wyse (Ozzy Osbourne, Owl) and Melanie Krahmer (Sirsy).

He’s also served as musical director, guitarist and actor in a number of productions at Albany’s Capital Repertory Theatre, including the ever-popular “Always…Patsy Cline,” “Hank Williams: Lost Highway” and “It Ain’t Nothing But the Blues.”

And lately, he’s also been heading up another supergroup musical aggregation, the Woodstock AllStars. He’ll be leading them into The Linda in Albany on Friday (January 22) and the Iridium in Manhattan on Wednesday (January 27). The band includes drummer Gary Burke, bassist Graham Maby, organist Pete Levin, vocalist Machan Taylor, pianist Daniel A. Weiss, harmonicat Dennis Gruenling and saxman Erik Lawrence.

But one thing that Malachowski hasn’t done during his illustrious musical career is to make a record of his own. Until now.

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CD: Holly Near & emma’s revolution’s “We Came to Sing!”

Friday, January 15th, 2010

(Calico Tracks Music, 2009):

The title says it all.

While both Holly Near and emma’s revolution (the duo of Pat Humphries and Sandy O) are known as much for their dedication to social and political justice as they are for their empowering musical talents and songwriting skills, this collaboration is really all about harmony.

Beautiful, close vocal harmonies that lift the ballads on wings without undercutting the determination of the politically minded selections.

Naturally, those vocal harmonies come into focus most sharply on the a cappella selections, And there are quite a number of them, including the opening “Listen to the Voices,” the rich “Sky Dances,” the rousing “1,000 Grandmothers” and “Fired Up.” The stand-out a cappella selection, however, is the trio’s gorgeous, surprisingly meditative arrangement of the classic “Study War No More, which wraps up the album in exqusite fashion.

But the album isn’t entirely a cappella. Humphries’ simple frailing banjo supports the traditional “Sail Away Ladies.” Jan Martinelli’s bass slinks through “Ministry of Oil.” And subtle guitar and percussion helps carry other selections.

And while Near handles the bulk of the songwriting chores, Humphries’ anthemic “Swimming to the Other Side” – also included on emma’s revolution’s 2006 CD, “Roots, Rock & Revolution” – simply soars on this disc.

emma’s revolution steps into the spotlight at Caffe Lena in Saratoga Springs at 7pm Sunday (January 17). Opening the show is Left on Red – the duo of Liah Alonso and Kelly Halloran.

CD: Beaucoup Blue’s “Free to Fall”

Thursday, January 14th, 2010

Beaucoup Blue: Free To Fall(Beaucoup Blue, 2009):

The father-and-son combo certainly ain’t your standard musical line-up, but this generation gap-spanning twosome of guitarist-vocalists David and Adrian Mowry is probably the coolest dad-son duo since the Spanic Boys first fired up their guitars.

Though rooted in the blues, these Philly-based acoustic guys are by no means traditionalists. They’ve amped up their sound on this, their third album, with a rhythm section – upright bass, drums and on a couple of tunes keyboards, too.

They also feature some special guests, including jazz-pop vocalist Melody Gardot (who chimes in on the slinky soul ballad, “Bluer Than the Midnight Sky”) and Americana trio Red Molly (on the pointed “Oh America” and the CD’s Fats Domino-inspired New Orleans R&B-styled title track).

Despite some first-rate contributions, the Mowrys are the heart ‘n’ soul of this disc. Not just because they penned all of the fine tunes here (well, OK, they adapted the classic “Hestitation Blues”), but because their sublime vocals give them a whole-is-greater-than-the-sum-of-its-parts full sound. And dad David’s slide guitar work is simply superb throughout.

Beaucoup Blue slides into Caffe Lena in Saratoga Springs at 8pm Friday (January 15).

Just in Case You Missed ‘Em…

Monday, January 4th, 2010

I spent considerable time compiling a Top 10 list of local Capital Region CDs, and a list of Top 10 concerts of 2009, as well, but I ran out of steam before I could whip up a Top 10 list of national/international CDs.

I did, however, post more than two dozen Top 10 lists – and looked through quite a few others – and it’s pretty clear that the general consensus ranks Animal Collective, Grizzly Bear, Phoenix, Neko Case and Dirty Projectors as all being worth a listen. But while those albums were jockeying for the top spots, a lot of other worthwhile albums didn’t really seem to get their due.

So here is a batch of recommendations – albums that may have passed you by while your earbuds were blaring “Merriweather Post Pavilion” for the gazillionth time:

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Nippertown’s Top 10 Albums of 2009

Thursday, December 31st, 2009

As you can tell from our previous lists of the past four years – which we’ve been posting all week long – there’s no shortage of musical talent in the Capital Region. But this year’s batch of albums is simply the strongest in recent memory. And our memory is pretty good.

Even hedging our bet by squeezing 11 albums into our Top 10, there were still at least five additional honorable mention albums that would have earned a Top 10 spot in just about any other year.

So here it is without further ado – Nippertown.com’s favorite Capital Region albums of 2009:

Jim Gaudet & the Railroad Boys: So Far So Good

Jim Gaudet & the Railroad Boys: So Far So Good

10 (tie) Steve Lambert’s “May” (Planet Arts) and Brian Patneaude’s “Riverview” (WEPA): Trumpeter Lambert and his band of Nippertown all-stars (including Patneaude) and saxman Patneaude’s own one-night-only recording with a switched-up combo prove that our jazz scene isn’t just surviving – it’s thriving.

09 Jim Gaudet & the Railroad Boys’ “So Far So Good” (Real Life Enterprises): Gaudet’s 2007 comeback album, “Re-Calling It Quits,” was brilliant, but this was the album that solidified the band and its bluegrass/folk-twang sound as a force to be reckoned with.

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