Review by Gail M. Burns and Larry Murray
Gail M. Burns: You took a little convincing to give up a Saturday afternoon for a puppet show, Larry.
Larry Murray: Yes, I was resistant, perhaps because I thought I had experienced just about everything the miniature world of puppetry could offer, but I was wrong.
Gail: If your idea of puppetry is still the hand puppets on Captain Kanagroo and Mister Rogers, the marionettes in The Sound of Music, or even the Muppets, be ready to be surprised! For one thing, these productions are not for little children, although tweens and teens with a theatrical bent will love them.
Larry: The thought that has stuck in my head is that this wasn’t the first puppet documentary I had seen. Mass MoCA brought in Dan Hurlin, who designed and directed this show, in 2010 with his sensational puppet biography of eccentric Arkansas photographer Mike Disfarmer. (Larry’s article) That too was “tabletop puppetry,” an advance on the art form that uses traditional techniques from Bunraku to shadow puppetry, and in this case, with two slow-motion Robert Wilson-esque sequences for model cars and accessories.