LIVE: The Gregg Rolie Band @ Alive at 5, 6/17/10

Gregg Rolie
If you didn’t know any better, you might think that the Gregg Rolie Band is just another tribute act – paying homage to the early Woodstock sound of Santana.

And, in a way, that’s exactly what they are.

But considering that Rolie was the original vocalist and keyboardist (and, in fact, wrote more of the tunes than Carlos Santana did on the breakthrough “Santana” album), the Gregg Rolie Band is certainly something more than just that.

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Rolie rolled into Riverfront Park on Thursday, celebrating his 63rd birthday. And while waiting for drummer Ron Wikso’s broken hi-hat to be replaced early in the show, the crowd serenaded Rolie with a chorus of “Happy Birthday.”

“Yeah, I’m 102 today. Me and Methuselah. Now you know…,” he joked.

Backed by rail-thin ace bassist Alphonso Johnson, keyboardist Wally Minko and the percussion arsenal of conga player Toby Borrero and timbales master Adrian Areas in tandem with Wikso, Rolie sat at his Hammond organ and wended his way through the highlights of Santana’s early albums – “Evil Ways,” “Jingo,” “Black Magic Woman,” “Oye Como Va” and more.

Guitarist Kurt Griffey was in the unenviable position of standing in as Carlos Santana, but he did an admirable job, echoing some of Santana’s trademark riffs and then soaring off in his own direction. It’s a thankless job, but he somehow made the songs his own, while still paying tribute to Carlos.

Nippertown soul faves the Foy Brothers whipped the crowd into the proper dance party mood, spicing up their classic soul ‘n’ funk sounds with guest percussionist Brian Melick. The rhythm section – drummer Mark Foy, bassist John Ellis and guitarist Mark Giammattei – kept the groove gurgling along, while Kevin Foy and keyboardist Charee Hendricks traded off vocal assignments.

They dug up several classic soul gems – Foy polishing up Barry White’s “Never, Never Gonna Give Ya Up,” while Hendricks aquitted herself nicely on Aretha’s “Rock Steady” – but in truth, the band shined brightest on their own original material, especially the blues-drenched “Tell Me What’s Missing.”

Evil Ways
Going Home
No One to Depend On
As the Years Go Passing By
Bailamos el Son
Give It to Me
Soul Sacrfice
Black Magic Woman
Oye Como Va
Everybody’s Everything

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